元白艳诗特点及其成因探析
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摘要
元白艳诗不是对南朝宫体诗的机械模仿与回归,它们自有体裁多样、艺术转精,体悟细腻、感情真挚,尊重妓人、姿态平等等特点。这些特点的形成是元白诗歌创新之自任与转益多师之才学、中唐奢靡之风气与狎妓恋爱之体验、苦难蹭蹬之经历与复杂包容之思想等多种因素共同作用的结果。通过探析元白艳诗特点及其成因,有助于给予元白艳诗更客观的评价。
The amorous poems written by Yuan Zhen and Bai Juyi were not the mechanical imitation or regression of the Poems in imperial style in the southern dynasty. Their amorous poems have the characteristics of diversified styles,refined skills,exquisite comprehensions,sincere emotions and respect for prostitutes. The formation of these characteristics is the result of their mission to innovate poetry,their talents and the attitude to learn from many fields,the lavish and hedonic lifestyle of Mid Tang Dynasty,their love experiences,their miserable childhood and unpleasant official career experiences as well as their complex ideology. Through analysis of the characteristics and causes of their amorous poems,it is helpful to evaluate their amorous poems more objectively.
The amorous poems written by Yuan Zhen and Bai Juyi were not the mechanical imitation or regression of the Poems in imperial style in the southern dynasty. Their amorous poems have the characteristics of diversified styles,refined skills,exquisite comprehensions,sincere emotions and respect for prostitutes. The formation of these characteristics is the result of their mission to innovate poetry,their talents and the attitude to learn from many fields,the lavish and hedonic lifestyle of Mid Tang Dynasty,their love experiences,their miserable childhood and unpleasant official career experiences as well as their complex ideology. Through analysis of the characteristics and causes of their amorous poems,it is helpful to evaluate their amorous poems more objectively.
引文
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[7]刘艳萍.从元稹、白居易艳诗看中唐诗歌的写实倾向[J].长安大学学报,2009,11(2):70-75.
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[18]吴伟斌.元稹评传[M].郑州:河南人民出版社,2008:10、15.
[19]欧顺军.佛教平等观的包容精神及其伦理意义[J].伦理学研究,2009(2):80-83.
[20]苑申成.中国古代和近代平等思想研究综述[J].周口师范学院学报,2013,30(3):86-89.
[21]刘学锴.唐诗选注评鉴[M].郑州:中州古籍出版社,2013:1916.
[22]熊啸.中晚唐艳诗研究[D].南昌:江西师范大学硕士学位论文,2012.
[2]陈寅恪.元白诗笺证稿[M].北京:商务印书馆,2017.
[3]张明非.论中唐艳情诗的勃兴[J].辽宁大学学报,1990(1):8-12.
[4]孟二冬.论齐梁诗风在中唐时期的复兴[J].文学遗产,1995(2):41-53.
[5]吴伟斌.元稹的早恋及其艳诗:兼答尹占华、程国赋两位先生的商榷[J].聊城大学学报,2002(4):91-97.
[6]袁梅,孙鸿亮.元稹“艳诗”考论[J].唐都学刊,2000,16(4):59-62.
[7]刘艳萍.从元稹、白居易艳诗看中唐诗歌的写实倾向[J].长安大学学报,2009,11(2):70-75.
[8]赵义山,李修生.中国分体文学史[M].上海:上海古籍出版社,2001:71.
[9]元稹,杨军.元稹集编年笺注(诗歌卷)[M].西安:三秦出版社,2002.
[10]陈友琴.白居易诗评述汇编[M].北京:中华书局,1962:6.
[11]白居易,朱金城.白居易集笺校[M].上海:上海古籍出版社,2003.
[12]钱钟书.宋诗选注·序[M].北京:生活·读书·新知三联书店,2002:10.
[13]欧阳修,宋祁.新唐书[M].北京:中华书局,1999.
[14]元稹.元稹集[M].冀勤,点校.北京:中华书局,2000:601.
[15]李肇.唐国史补·卷下[M].上海:上海古籍出版社,2000:197.
[16]白居易.白居易集·出版说明[M].顾学颉,点校.北京:中华书局,1979:1.
[17]余恕诚.唐诗风貌[M].北京:中华书局,2010:3.
[18]吴伟斌.元稹评传[M].郑州:河南人民出版社,2008:10、15.
[19]欧顺军.佛教平等观的包容精神及其伦理意义[J].伦理学研究,2009(2):80-83.
[20]苑申成.中国古代和近代平等思想研究综述[J].周口师范学院学报,2013,30(3):86-89.
[21]刘学锴.唐诗选注评鉴[M].郑州:中州古籍出版社,2013:1916.
[22]熊啸.中晚唐艳诗研究[D].南昌:江西师范大学硕士学位论文,2012.