网络玄幻小说的“侠”文化分析
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摘要
侠义文化经过历代小说的发展演变,在当代网络玄幻小说的兴盛中逐渐消解并又衍生出新的侠义文化内涵。网络玄幻小说中的"侠"文化是对中国传统武侠文化的继承和创新,主要表现在五个方面:一是"侠"的身份的泛化,二是侠义行为的转变,三是小说背景下的世界和平主义,四是中西方文化的交融以及科学和文化的结合,五是衍生出新的武侠文化品牌。与此同时,玄幻小说的市场消费行为也造成其"侠"文化价值缺失的现状。
The evolution of chivalrous culture has been developing and changing in the novels of different dynasties over thousands of years.In modern times,the old chivalrous culture gradually fades,and at the same time new chivalrous culture connotation appears.The chivalrous culture in cyber fantasy novels is the inheritance and innovation of traditional Chinese martial arts culture,which mainly consists in four aspects:first,the general identity of the chivalrous hero;second,the changes of the chivalrous behavior;third,the spirit of the world peace in the context of the novel;fourth,the blend of Chinese and Western culture and the combination of science and culture;fifth,the birth of new chivalrous culture brands.At the same time,the market consuming behavior of fantasy novels also causes the present situation of the value lack of the chivalrous culture.
The evolution of chivalrous culture has been developing and changing in the novels of different dynasties over thousands of years.In modern times,the old chivalrous culture gradually fades,and at the same time new chivalrous culture connotation appears.The chivalrous culture in cyber fantasy novels is the inheritance and innovation of traditional Chinese martial arts culture,which mainly consists in four aspects:first,the general identity of the chivalrous hero;second,the changes of the chivalrous behavior;third,the spirit of the world peace in the context of the novel;fourth,the blend of Chinese and Western culture and the combination of science and culture;fifth,the birth of new chivalrous culture brands.At the same time,the market consuming behavior of fantasy novels also causes the present situation of the value lack of the chivalrous culture.
引文
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[9]序托尔金.魔戒(第一部):魔戒再现[A].郭少波,译.南京:译林出版社,2002.
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[2]鲁迅.中国小说的历史的变迁[M]//鲁迅全集:第9卷.北京:人民文学出版社,1981.
[3]汤哲声.中国当代通俗小说史论[M].北京:北京大学出版社,2007:3.
[4]韩云波.大陆新武侠和东方奇幻中的“新神话主义”[J].西南师范大学学报:人文社会科学版,2005(9).
[5]萧鼎畅.谈玄幻文学《诛仙》系列[N].新京报,2005-08-18.
[6]韩云波.“三大主义”:论大陆新武侠的文化先进性[J].西南师范大学学报:人文社会科学版,2006(3).
[7]范德彪.科幻蛊惑[J].今古传奇武侠版,2005(月末3):127-140.
[8]沧月.动风漫影新武侠沧海明月共潮生[J].今古传奇武侠版,2004(7):8-9.
[9]序托尔金.魔戒(第一部):魔戒再现[A].郭少波,译.南京:译林出版社,2002.
[10]马丁·海德格尔.尼采十讲苏隆编译[M].北京:中国言实出版社,2004,31-32.
[11]王一川.文学理论讲演录[M].南宁:广西师范大学出版社,2004:314-315.
[12]贝拉·巴拉兹.可见的人——电影精神[M].安利,译.北京:中国电影出版社,2000:14.
[13]陶东风.中国文学已经进入装神弄鬼时代?——由“玄幻小说”引发的一点联想[J].当代文坛,2006(5).