从导演代际演进看改革开放30年来中国电影发展的得失
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摘要
改革开放三十年来,中国电影历经了顺从与反思、传承与批判、叛逆与回归等一系列变迭。在渐渐复苏、回归转型、蜚声国际、多元共生的文化表象链条上,不同代际的导演持续在世俗和神话之间徘徊、惶惑,在阐释、颂扬神话与消解、挑战神话之间往返奔走,在一次次尝试和找寻中被转型着的时代烙下色彩不同、深浅不一的印记。在这段曲折蜿蜒但异彩纷呈的艺术与文化之旅中,值得总结的经验和误区历历在目。而误区之因在整体和本质上则指向对电影艺术缺乏系统的把握上。
After three decades of economic reform, Chinese film experienced compliance and reflection, inheritance and criticism, rebellion and return. On the symbiotic chain of gradually recovered, and returned to the transformation, became world-renowned and pluralism of cultural representation, different generations of director continued wondering,bewildering, interpreting, celebrating, digesting,and challenging between the secular and mythical, constantly attempting and looking forward,the era of transition bears different colors of the marks. During this long and winding, but the colorful journey of art and culture, we should review the experience and misunderstanding.And misunderstanding due to the lack of systemaic grasp of the film art systems.
After three decades of economic reform, Chinese film experienced compliance and reflection, inheritance and criticism, rebellion and return. On the symbiotic chain of gradually recovered, and returned to the transformation, became world-renowned and pluralism of cultural representation, different generations of director continued wondering,bewildering, interpreting, celebrating, digesting,and challenging between the secular and mythical, constantly attempting and looking forward,the era of transition bears different colors of the marks. During this long and winding, but the colorful journey of art and culture, we should review the experience and misunderstanding.And misunderstanding due to the lack of systemaic grasp of the film art systems.
引文
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[2]邓小平.在中国文学艺术工作者第四次代表大会上的祝词.邓小平文选:第2卷.人民出版社,1994.210.
[3]黄会林.百年电影与中国观众[J].当代电影,2006,(2).
[4]张暖忻,李陀.谈电影语言的现代化[J].电影艺术,1979,(3).
[5]路易斯·贾内梯,胡尧之、胡晓辉、冯韵文等译.认识电影[M].中国电影出版社,1997.216.
[6]谢飞.“第四代”的证明[J].电影艺术,1990,(3).
[7]黄式宪.中国电影导演“星座”及其艺术谱系[J].当代电影,1992,(6).
[8]佐藤忠男,钱杭译.中国电影百年[M].上海书店出版社,2005.145.
[9]达尼埃尔-亨利·巴柔.形象[A].孟华主编.比较文学形象学[C].北京大学出版社,2001.157.
[10]峻冰.叙事的表意与表意的造型-日本“新电影”与中国电影“第五代”的比较[J].西南交通大学学报,2003,(1).
[11]峻冰.电影的论说[M].中国电影出版社,2001.115.
[12]贝拉·巴拉兹,何力译.电影美学[M].中国电影出版社,1986.69.
[13]居伊·德波.奇观社会[A].吴琼主编.视觉文化的奇观[C].中国人民大学出版社,2005.62.
[14]杨远婴.百年六代影像中国--关于中国电影导演的代际谱系研寻[J].当代电影,2001,(6).
[15][16]峻冰.“韩国新电影”与中国电影“新生代”的平行研究[J].四川大学学报,2004.3.
[17]峻冰.当代中国大陆电影创作状况思辨[J].四川大学学报,2006,(2)
[18]峻冰.论电影艺术的分野及实践意义[J].西南民族大学学报,2008,(10).