汇编五家后汉艺文志刍议
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摘要
清人前后有八家为后汉补作艺文志,现存有钱大昭《补续汉书艺文志》、侯康《补后汉书艺文志》、顾櫰三《补后汉书艺文志》、姚振宗《后汉艺文志》及曾朴《补后汉书艺文志并考》五家,由于时代局限,诸家补志虽然取得了很大的成就,也存在体例不一、收书此有彼无、为求全而著录了不少伪书、非后汉著述、分类不当等等问题,因此很有必要在诸家补志的基础上编制一部新的《后汉艺文志》。汇编当以姚振宗《后汉艺文志》为主,补入其他四家所录而姚氏漏收的条目,剔除误收的伪书、非后汉著述,将分类不当者重新分类,且据出土文献辑录新书目,整理为一全面、详尽地反映后汉一代著述情况的新艺文志。
There was no Yiwenzhi in Fan Ye' History of the Later Han Dynasty,since Li E,there have been eight scholars complemented it. Until now five writers' books are kept well and they were Qian Dazhao( 钱大昭),Hou Kang( 侯康),Gu Huaisan( 顾櫰三),Yao Zhenzong( 姚振宗),Zeng Pu( 曾朴). Limited to the conditions of communication and publishing in the Qing dynasty,the last three books were finished in a relatively independent environment without consulting the achievement of the other two,thus the last three books can complement each other. The standard of these books were different,so there are some books with classification problems and it is necessary to determine its ownership. In addition,there exists some fake books which we want to put out. Based on the above reason,we can choose Houhan yiwenzhi of Yao Zhenzong as the foundation,and use the other four books to complement it to make a new book that includes all the achievements from the five books.
There was no Yiwenzhi in Fan Ye' History of the Later Han Dynasty,since Li E,there have been eight scholars complemented it. Until now five writers' books are kept well and they were Qian Dazhao( 钱大昭),Hou Kang( 侯康),Gu Huaisan( 顾櫰三),Yao Zhenzong( 姚振宗),Zeng Pu( 曾朴). Limited to the conditions of communication and publishing in the Qing dynasty,the last three books were finished in a relatively independent environment without consulting the achievement of the other two,thus the last three books can complement each other. The standard of these books were different,so there are some books with classification problems and it is necessary to determine its ownership. In addition,there exists some fake books which we want to put out. Based on the above reason,we can choose Houhan yiwenzhi of Yao Zhenzong as the foundation,and use the other four books to complement it to make a new book that includes all the achievements from the five books.
引文
[1]来新夏.清代目录提要[M].济南:齐鲁书社,1997.
[2]姚名达.中国目录学史[M].上海:上海古籍出版社,2002.
[3]姚振宗.后汉艺文志[M].北京:清华大学出版社,2011.
[4]刘克东.补后汉书艺文志五家考论[D].济南:山东大学,2009.
[5]梁启超.图书大辞典[M].北京:中华书局,1989.
(1)阮孝绪《七录序》云“固乃因《七略》之辞,为《汉书·艺文志》。其后有著述者,袁山松亦录在其书”,殆袁山松《后汉书》有《艺文志》,又云王俭“又条《七略》及《汉艺文志》、《中经簿》所阙之书”,则王俭亦曾补录后汉之艺文。见任莉莉《七录辑证》,上海古籍出版社,2011年版.
[2]姚名达.中国目录学史[M].上海:上海古籍出版社,2002.
[3]姚振宗.后汉艺文志[M].北京:清华大学出版社,2011.
[4]刘克东.补后汉书艺文志五家考论[D].济南:山东大学,2009.
[5]梁启超.图书大辞典[M].北京:中华书局,1989.
(1)阮孝绪《七录序》云“固乃因《七略》之辞,为《汉书·艺文志》。其后有著述者,袁山松亦录在其书”,殆袁山松《后汉书》有《艺文志》,又云王俭“又条《七略》及《汉艺文志》、《中经簿》所阙之书”,则王俭亦曾补录后汉之艺文。见任莉莉《七录辑证》,上海古籍出版社,2011年版.