美声唱法在中国“本土化”发展的策略
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摘要
美声唱法在中国"本土化"发展是必然形式。通俗唱法、民俗唱法都具有良好的融合效应,而这种融合可以促进我国本土音乐文化的发展。美声唱法在中国的发展应以本土音乐为主基调,以传统音乐的特点为主要表现方式,借鉴美声唱法先进的发声原理及教育体系,创新本土化音乐。
The development of Bel Canto is an inevitable form of "localization" development in our country. Both popular singing and folk singing have a good fusion effect, and this kind of integration can promote the development of local music culture in China. The development of Bel Canto in our country should be based on local music with the characteristics of traditional music as the main expression, should learn from the advanced sounding principle and education system of Bel Canto, and should innovate the localized music.
The development of Bel Canto is an inevitable form of "localization" development in our country. Both popular singing and folk singing have a good fusion effect, and this kind of integration can promote the development of local music culture in China. The development of Bel Canto in our country should be based on local music with the characteristics of traditional music as the main expression, should learn from the advanced sounding principle and education system of Bel Canto, and should innovate the localized music.
引文
[1]吴园园.古典也流行——从《歌剧魅影》看美声唱法在音乐剧中的传承与发展[J].铜陵学院学报,2015,14(4).
[2]原丽红.试论中国新歌剧中美声唱法与戏曲唱法的运用——以《江姐》选段《五洲人民齐欢笑》为例[J].歌剧,2011(5).
[3]苗雨,邱雪玫.从参赛作品看美声歌曲创作中存在的问题——对美声唱法在中国“本土化”过程中相关问题的思考[J].乐府新声:沈阳音乐学院学报,2005(3).
[2]原丽红.试论中国新歌剧中美声唱法与戏曲唱法的运用——以《江姐》选段《五洲人民齐欢笑》为例[J].歌剧,2011(5).
[3]苗雨,邱雪玫.从参赛作品看美声歌曲创作中存在的问题——对美声唱法在中国“本土化”过程中相关问题的思考[J].乐府新声:沈阳音乐学院学报,2005(3).