摘要
共同的殖民历史、流散心理以及加勒比女性话语诉求,使得具有民族、种族差异的加勒比女性书写呈现出虚构自我叙述、文化身份困惑与女性身份探寻等共通性。本文以加勒比女性文学的历史发展脉络为参照背景,通过追溯两位具有民族、种族差异的加勒比女性作家里斯与金凯德的文学书写,借助其跨越时空且交叉化的民族与种族视角,管窥加勒比女性文学在不同历史时期的发展变迁,揭示不同民族、种族的加勒比女性共同的话语书写特征。
Common colonial history,diasporic psychology and Caribbean female identity discourse,lead to certain convergences in the writings of Anglophone-Caribbean women in spite of their racial differences.In reference to the history of Anglophone-Caribbean women's writings,this article probes into the writings of two representatives,Jean Rhys and Jamaica Kincaid,and explores these hidden convergences in Anglophone-Caribbean women's writings by their cross racial perspectives.
引文
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(1)20世纪50-60年代兰明(George Lamming)、塞尔文(Samuel Selvon)与奈保尔(V.S.Naipaul)等移民或流亡于英国的男性作家的写作被视为加勒比文学的第一次“爆发期”。
(2)在《女性书写西印度:1804-1939》(Women Writing the West Indies,1804-1939)一书中,奥克拉汉将早期加勒比女性文学的源头追溯至1804年,将出生或定居在加勒比的精英或白人中产阶级女性的作品一并容纳,指出早期移居加勒比地区的白人女性对于加勒比女性文学的贡献。
(3)西印度(West Indie s/West Indian)群岛通常指加勒比地区前英属殖民地,如牙买加、特立尼达、巴巴多斯以及安提瓜、圭亚那等。而“加勒比”(Caribbean)—词则指该地区所有的岛国。为便于论述,本文文内所提及的加勒比(女性)文学或西印度文学均指涉以英语书写的加勒比(女性)文学。