徐小斌《羽蛇》的灵魂书写研究
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摘要
"灵魂"是小说《羽蛇》的题旨所在,作者徐小斌特殊的灵魂书写也值得我们更多的发现和思考。在小说中,灵魂已走到了穷途末路的境地,而我们仍然需要也能够提炼出其"爱""真""诚""正"的实际指向。这样的灵魂同共时情境中的险恶美好和近现代大大小小不断累积的历史都是那样的不可兼容。于是作者所理解的过于纯粹、狭义而本质化的灵魂只能从理想主义的冀望"遁入"神秘主义的表达;但这实际上是灵魂对语言的一种拒绝、逃避和对自身的放逐,这也意味着《羽蛇》这部作品其实是在放弃对灵魂意义的言说。
The"soul"is the theme of the novel"The Feather Snake", and Xu Xiao-bin's special soul writing is also worth our further discovery and thinking. In the novel, the soul has been reaching a dead end, and we still need to extract the actual direction of"love","sincerity","guileless"and"positive"of it. Such a soul is incompatible with the sinister or beauty of the synchronic situations and accumulated history of modern both on the macro level and the micro level. Therefore, the soul that the author understands is too pure, narrow and essential have to"escape"into the expression of mysticism from the perspective of idealism; But this is actually a kind of rejection, evasion and exile to the language straightening of the soul, which means that the work of"the Feather Snake"is actually giving up the meaning straightening of the soul.
The"soul"is the theme of the novel"The Feather Snake", and Xu Xiao-bin's special soul writing is also worth our further discovery and thinking. In the novel, the soul has been reaching a dead end, and we still need to extract the actual direction of"love","sincerity","guileless"and"positive"of it. Such a soul is incompatible with the sinister or beauty of the synchronic situations and accumulated history of modern both on the macro level and the micro level. Therefore, the soul that the author understands is too pure, narrow and essential have to"escape"into the expression of mysticism from the perspective of idealism; But this is actually a kind of rejection, evasion and exile to the language straightening of the soul, which means that the work of"the Feather Snake"is actually giving up the meaning straightening of the soul.
引文
[1]邓秋英.现代人的精神苦旅——论《羽蛇》中原型的批评意义[J].大众文艺,2017(03):42.
[2]胡行舟.以神话抵抗健忘——《羽蛇》的圆广与烛龙之间[J].中国现代文学研究丛刊,2015(02):170-177.
[3]徐小斌,吴言.同这个世界不曾和解——徐小斌访谈(下)[J].名作欣赏,2014(31):57-63.
[4]徐小斌,吴言.同这个世界不曾和解——徐小斌访谈(上)[J].名作欣赏,2014(28):90-95.
[5]凯·斯卡夫,宋宪琳,由元.史诗再现:徐小斌的寓言故事《羽蛇》[J].当代作家评论,2013(06):134-142.
[6]陈亭匀.现实与虚构的双重出走:《羽蛇》与《敦煌遗梦》[J].当代作家评论,2013(06):143-151.
[7]徐小斌.羽蛇[M].北京:人民文学出版社,2004.
[8]贺桂梅.伊甸之光——徐小斌访谈录[J].花城,1998(05):120-127.
[9]徐小斌.遇难航程中的飨宴[J].文学自由谈,1997(01):43-45.
[10]徐小斌.逃离意识与我的创作[J].当代作家评论,1996(06):45-48.
[11]狄玲.谈英美文学中的女性意识的体现[J].沈阳工程学院学报:社会科学版,2018,14(01):92-96.
[2]胡行舟.以神话抵抗健忘——《羽蛇》的圆广与烛龙之间[J].中国现代文学研究丛刊,2015(02):170-177.
[3]徐小斌,吴言.同这个世界不曾和解——徐小斌访谈(下)[J].名作欣赏,2014(31):57-63.
[4]徐小斌,吴言.同这个世界不曾和解——徐小斌访谈(上)[J].名作欣赏,2014(28):90-95.
[5]凯·斯卡夫,宋宪琳,由元.史诗再现:徐小斌的寓言故事《羽蛇》[J].当代作家评论,2013(06):134-142.
[6]陈亭匀.现实与虚构的双重出走:《羽蛇》与《敦煌遗梦》[J].当代作家评论,2013(06):143-151.
[7]徐小斌.羽蛇[M].北京:人民文学出版社,2004.
[8]贺桂梅.伊甸之光——徐小斌访谈录[J].花城,1998(05):120-127.
[9]徐小斌.遇难航程中的飨宴[J].文学自由谈,1997(01):43-45.
[10]徐小斌.逃离意识与我的创作[J].当代作家评论,1996(06):45-48.
[11]狄玲.谈英美文学中的女性意识的体现[J].沈阳工程学院学报:社会科学版,2018,14(01):92-96.