《礼拜五》的游戏——图尼埃的主体批判
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  • 英文篇名:Play in Friday:Tournier’s Critique of Subject
  • 作者:任海燕
  • 英文作者:Ren Haiyan;English Department, Foreign Studies College, Hunan Normal University;
  • 关键词:《礼拜五》 ; 游戏 ; 主体 ; 解构
  • 英文关键词:Friday;;play;;subjectivity;;deconstruction
  • 中文刊名:GHJK
  • 英文刊名:Foreign Literature
  • 机构:湖南师范大学外国语学院;
  • 出版日期:2019-01-28
  • 出版单位:外国文学
  • 年:2019
  • 期:No.276
  • 基金:湖南省社科基金项目“《鲁滨逊漂流记》及其重写研究”(12YBA226)
  • 语种:中文;
  • 页:GHJK201901012
  • 页数:9
  • CN:01
  • ISSN:11-1248/I
  • 分类号:123-131
摘要
法国作家米歇尔·图尼埃青睐鲁滨逊这个现代神话,在小说处女作《礼拜五》中,他戏仿神话中的理性复制,将荒岛变成他的游戏场,向启蒙的现代主体发问。图尼埃的主体"实验"以一场爆炸为分水岭,分为复制时期和游戏时期两个泾渭分明的阶段。从理性复制到礼拜五和鲁滨孙的游戏,图尼埃直入启蒙现代性体系的主体观的中心,围绕这个封闭的逻各斯中心的压迫性结构展开解构的自由游戏,引发了对于"什么是理想的主体"和"如何建构理想的主体"等一众问题的思考。
        Friday is Michel Tournier's re-vision or re-writing of the modern myth of Robinson Crusoe. Through a comprehensive re-enactment of the rational reproduction in the original myth, Tournier turns the desert island into a field for play, in which he re-examines and problematizes the Enlightenment assumption of reason-first and reason-only subject. The re-enactment may be divided into two distinct stages: reproduction and play. As it proceeds, Tournier freeplays with the center of the logocentric repressive structure, and thus intriguing a reconsideration of the issue of ideal subjectivity.
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