清俊秀逸九华情——论“九华四俊”诗歌风貌
|
摘要
唐末之际,皖南诗人张乔、张蠙、周繇和许棠,时人号之"九华四俊"。在生活阅历、思想境界和诗歌风貌等诸多方面,他们四人都有着惊人的相似。通过对"四俊"的探讨,可以了解到唐末乱世中寒士们的生活处境及其诗歌创作的情况。同时,还可获知"四俊"的与众不同之处,在具备了南人所特有的秀丽风格的基础上,又吸取了几分北人的慷慨之气,从而形成了清俊秀逸的独特风貌。
At the end of Tang Dynasty, the four poets—Zhang Qiao, Zhang Pin, Zhou Yao and Xu Tang, from Southern Anhui Province, were honored as"Jiuhua Tour Talents". The four poets share surprisingly similar characteristics in the aspects such as life experience, the extent of the poetry and the style of poetry. Through the discussion and interpretation of"four talents", the paper presents the circumstance and condition of their composition in the period of war of late Tang Dynasty. At the same time, their works not only has the unique feature of the elegant style that the southern people have, but also absorbs and assimilates the quality of generosity that the northern people have only, so the unique and distinct style—dedicate and free forms.
At the end of Tang Dynasty, the four poets—Zhang Qiao, Zhang Pin, Zhou Yao and Xu Tang, from Southern Anhui Province, were honored as"Jiuhua Tour Talents". The four poets share surprisingly similar characteristics in the aspects such as life experience, the extent of the poetry and the style of poetry. Through the discussion and interpretation of"four talents", the paper presents the circumstance and condition of their composition in the period of war of late Tang Dynasty. At the same time, their works not only has the unique feature of the elegant style that the southern people have, but also absorbs and assimilates the quality of generosity that the northern people have only, so the unique and distinct style—dedicate and free forms.
引文
[1]全唐诗[M].北京:中华书局,1999.
[2]方胜,罗芳芳.“九华四俊”考[J].安徽农业大学学报,2009(5):82-85.
[3]何祥.“九华四俊”及其诗歌研究[D].芜湖:安徽师范大学,2011.
[4]江增华.“九华四俊”诗文别集提要[J].池州学院学报,2013(5):75-77.
[5]傅璇宗.唐才子传校笺[M].北京:中华书局,1999:8153.
[6]黄淘.唐黄御史文集[M].上海:上海书店,1989.
[7]徐松.登科记考补正[M].北京:北京燕山出版社,2003:954-984.
[8]洪迈.容斋随笔:二[M].上海:上海书店出版社,1985.
[9]程千帆.唐代进士行卷与文学[M].上海:上海古籍出版社,1980:6.
[10]李定广.唐末五代乱世文学研究[M].北京:中国社会科学出版社,2006:37.
[11]宋祁,欧阳修.新唐书[M].北京:中华书局,1975:5276.
[12]王定保.唐摭言[M].北京:中华书局,1959:74.
[13]杨伯峻.论语译注[M].北京:中华书局,1980:82.
[14]景遐东.江南文化与唐代文学研究[M].北京:人民文学出版社,2005:141.
[15]孙光宪.北梦琐言[M].北京:中华书局,2002:164.
[16]经本植.中国古典诗歌写作学[M].北京:语文出版社,1999:95.
[17]房玄龄.晋书[M].北京:中华书局,1974:1443.
[2]方胜,罗芳芳.“九华四俊”考[J].安徽农业大学学报,2009(5):82-85.
[3]何祥.“九华四俊”及其诗歌研究[D].芜湖:安徽师范大学,2011.
[4]江增华.“九华四俊”诗文别集提要[J].池州学院学报,2013(5):75-77.
[5]傅璇宗.唐才子传校笺[M].北京:中华书局,1999:8153.
[6]黄淘.唐黄御史文集[M].上海:上海书店,1989.
[7]徐松.登科记考补正[M].北京:北京燕山出版社,2003:954-984.
[8]洪迈.容斋随笔:二[M].上海:上海书店出版社,1985.
[9]程千帆.唐代进士行卷与文学[M].上海:上海古籍出版社,1980:6.
[10]李定广.唐末五代乱世文学研究[M].北京:中国社会科学出版社,2006:37.
[11]宋祁,欧阳修.新唐书[M].北京:中华书局,1975:5276.
[12]王定保.唐摭言[M].北京:中华书局,1959:74.
[13]杨伯峻.论语译注[M].北京:中华书局,1980:82.
[14]景遐东.江南文化与唐代文学研究[M].北京:人民文学出版社,2005:141.
[15]孙光宪.北梦琐言[M].北京:中华书局,2002:164.
[16]经本植.中国古典诗歌写作学[M].北京:语文出版社,1999:95.
[17]房玄龄.晋书[M].北京:中华书局,1974:1443.