张抗抗小说《情爱画廊》中的女性身体书写
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摘要
20世纪90年代,作家们对女性身体的书写成为这一时期重要的文学现象。张抗抗的小说《情爱画廊》以女性身体书写为主题,试图从女性身体的审美角度来表现女性解放。但从小说中可以看出,在对女性身体书写的自主、开放和现代化表达中,隐藏着女性解放的不彻底性和商业性。小说以审美这种形式来表达女性解放是不成功的,这也暴露了在作者的女性解放意识中存在不完善和不深入的问题。
In the 1990 s, writers' writing of female bodies became an important literary phenomenon in this period. Zhang Kangkang's novel The Gallery of Love, with the theme of female body writing, attempts to express women's liberation from the aesthetic perspective of female body. However, it can be seen from the novel that in the independent, open and modern expression of female body writing, the incompleteness and commerciality of female emancipation are hidden. It is unsuccessful for the novel to express women's liberation in the form of aesthetics,which also exposes the imperfection and lack of depth in the author's consciousness of women's liberation.
In the 1990 s, writers' writing of female bodies became an important literary phenomenon in this period. Zhang Kangkang's novel The Gallery of Love, with the theme of female body writing, attempts to express women's liberation from the aesthetic perspective of female body. However, it can be seen from the novel that in the independent, open and modern expression of female body writing, the incompleteness and commerciality of female emancipation are hidden. It is unsuccessful for the novel to express women's liberation in the form of aesthetics,which also exposes the imperfection and lack of depth in the author's consciousness of women's liberation.
引文
[1][美]阿尔伯特·莫德尔.文学中的色情动机[M].刘文荣,译.上海:文汇出版社,2006.
[2]张抗抗.情爱画廊[M].北京:作家出版社,2009.
[3]张抗抗.情爱画廊[M].长春:时代文艺出版社,2006.
[4]田皓.论消费文化时代的“身体书写”及对女性文学创作的思考[J].中国文学研究,2007(2).
[5]郭力,张抗抗.人道主义立场与深刻的历史意识[J].文艺评论,2001(6).
[6][法]埃莱娜·西苏.美杜莎的笑声.黄晓红,译[M]//张京媛,主编.当代女性主义文学批评.北京:北京大学出版社,1992.
[2]张抗抗.情爱画廊[M].北京:作家出版社,2009.
[3]张抗抗.情爱画廊[M].长春:时代文艺出版社,2006.
[4]田皓.论消费文化时代的“身体书写”及对女性文学创作的思考[J].中国文学研究,2007(2).
[5]郭力,张抗抗.人道主义立场与深刻的历史意识[J].文艺评论,2001(6).
[6][法]埃莱娜·西苏.美杜莎的笑声.黄晓红,译[M]//张京媛,主编.当代女性主义文学批评.北京:北京大学出版社,1992.