摘要
动物图像在中国传统造型文化中有着广泛的应用,其中鸟图像更是被赋予各种精神内涵。西周是中国奴隶社会的中后期,青铜器风格沉重、神秘、威严,鸟图像以轻灵、变幻莫测的神秘性以及独特的寓意,在西周青铜器造型的沉重之中注入新鲜的生命活力,丰富了青铜器造型艺术语言,体现了人类精神世界对于灵动、自由与飞扬的渴望。
Animals totems have been widely used in Chinese traditional modeling culture,in which bird totems are endowed with spiritual meanings. The Western Zhou Dynasty is in the mid-late period of Chinese slave society and the style of its bronze wares is heavy,mysterious and majestic. Bird totems vitalize the heavy bronze wares,enriching the modeling art language of bronze wares and showing the human's desire for flying freely into the sky.
引文
[1]马昌仪.古本山海经图说[M].济南:山东画报出版社,2001.
[2]郎绍君,刘树杞.中国造型艺术辞典[M].北京:中国青年出版社,1996.