盈盈的“力”:陈敬容《盈盈集》的生命意涵
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摘要
陈敬容是"九叶诗人"之一,她的诗植根于个人生活经历和生命体验,表现出鲜明的个体风貌。文章立足陈敬容早期诗集《盈盈集》,探究诗人是如何倾听事物内部生命的律动、凭借其生命的爱和盈盈的"力"同事物内部生命发生"力"的转化与推进,即诗人在这个矛盾动荡的世界里,从难以排遣的孤独与忧惧到发现自我生命的完整性、进而走向对生命自由的渴望的过程,并由此体会一个特定阶段,陈敬容诗歌所呈现诗人主体与客体物象发生"力"之交替转化、上升的回环式发展的内在机理与生命意涵。
Chen Jingrong is one of the "Jiuye Poets", and her poetry was rooted in her personal life experience, showing a distinct individual style. On the basis of Chen Jingrong's early collection of poems, Anthology of Yingying, this paper explores how the poet listened to the rhythm of life inside objects, and how "power" was transformed and propelled through the poet's love for life, Yingyin's "power" and objects' inner life. That is, in a world of contradictions and turbulences, the poet went through from the difficulty of loneliness and fear, to the discovery of the integrity of life and the process of the desire for freedom of life. Through this process, the internal mechanism and life meaning of the alternating transformation of the "power" between the poet and objects in a rising circular development, represented by Chen Jingrong's poetry in a certain period of time, are explored.
Chen Jingrong is one of the "Jiuye Poets", and her poetry was rooted in her personal life experience, showing a distinct individual style. On the basis of Chen Jingrong's early collection of poems, Anthology of Yingying, this paper explores how the poet listened to the rhythm of life inside objects, and how "power" was transformed and propelled through the poet's love for life, Yingyin's "power" and objects' inner life. That is, in a world of contradictions and turbulences, the poet went through from the difficulty of loneliness and fear, to the discovery of the integrity of life and the process of the desire for freedom of life. Through this process, the internal mechanism and life meaning of the alternating transformation of the "power" between the poet and objects in a rising circular development, represented by Chen Jingrong's poetry in a certain period of time, are explored.
引文
①陈敬容译:《里尔克·诗七章》,《中国新诗》第2集“黎明乐队”,森林出版社1948年版,第19-30页。
(1)②③④⑤⑦⑧陈敬容:《盈盈集》,人民文学出版社2001年版,第3页;第7页;第11页;第12页;第8页;第14页;第14页。
(2)杨朝军:《〈断章〉的衔接特征与艺术阐释》,《时代文学(下半月)》2012年第8期,第147页。
(3)马克思:《1844年经济学哲学手稿》,中共中央马克思恩格斯列宁斯大林著作编译局,人民出版社2000年版,第104-105页。
(4)③④⑤⑥陈敬容:《盈盈集》,人民文学出版社2001年版,第21页;第32页;第23页;第23页;第30页。
(5)②陈敬容:《盈盈集》,人民文学出版社2001年版,第51页;第67页。
(6)②③④⑤⑥⑦⑧陈敬容:《盈盈集》,人民文学出版社2001年版,第77页;第85页;第89页;第65页;第65页;第72页;第90页;第91页。
(1)②③④⑤⑦⑧陈敬容:《盈盈集》,人民文学出版社2001年版,第3页;第7页;第11页;第12页;第8页;第14页;第14页。
(2)杨朝军:《〈断章〉的衔接特征与艺术阐释》,《时代文学(下半月)》2012年第8期,第147页。
(3)马克思:《1844年经济学哲学手稿》,中共中央马克思恩格斯列宁斯大林著作编译局,人民出版社2000年版,第104-105页。
(4)③④⑤⑥陈敬容:《盈盈集》,人民文学出版社2001年版,第21页;第32页;第23页;第23页;第30页。
(5)②陈敬容:《盈盈集》,人民文学出版社2001年版,第51页;第67页。
(6)②③④⑤⑥⑦⑧陈敬容:《盈盈集》,人民文学出版社2001年版,第77页;第85页;第89页;第65页;第65页;第72页;第90页;第91页。