论周大新小说中的内在悖论与张力
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摘要
周大新是当代"南阳作家群"中的代表性人物,尤其是他的南阳盆地系列小说,在文坛产生了重要影响。在周大新的小说中,始终氤氲着一种极为突出的悖论倾向,这种悖论是对社会现实所导向的个体生存经验的外显,更是对作家创作过程中心灵和情感的一种反映。从性别叙事中的思想悖论到乡土书写中的情感悖论,再到官场秩序中的选择悖论,是周大新一贯所秉持的爱和善与复杂的现实生活互相碰撞的结果,从中也可以看到在大转型的时代背景下,文化的重构与秩序的重整有着迫切性的一面,但也有着不可忽视的艰巨性。
Zhou Daxin is a representative figure in the contemporary "NanYang writers society", especially his series of NanYang basin novels, which have had an important influence in the literary world. In Zhou Daxin's novels, there is a very prominent paradox tendency, which is the manifestation of the individual survival experience guided by social reality, and also a reflection of the writer's soul and emotion in the process of creation.From the ideological paradox in gender narration to the emotional paradox in local writing to the paradox of choice in official order, Zhou Daxin has consistently maintained that love and goodness colliding with complex real life.It can also be seen that in the context of the great transformation of the times, the reconstruction of culture and the reorganization of order have its urgent side, but also have the arduous nature that can not be ignored.
Zhou Daxin is a representative figure in the contemporary "NanYang writers society", especially his series of NanYang basin novels, which have had an important influence in the literary world. In Zhou Daxin's novels, there is a very prominent paradox tendency, which is the manifestation of the individual survival experience guided by social reality, and also a reflection of the writer's soul and emotion in the process of creation.From the ideological paradox in gender narration to the emotional paradox in local writing to the paradox of choice in official order, Zhou Daxin has consistently maintained that love and goodness colliding with complex real life.It can also be seen that in the context of the great transformation of the times, the reconstruction of culture and the reorganization of order have its urgent side, but also have the arduous nature that can not be ignored.
引文
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[6] 丁帆.文化批判的审美价值坐标[M].北京:北京师范大学出版社,2009:118.
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[9] 孔会侠.与一颗简白、慈柔之心的对话——周大新访谈[J].小说评论,2017,(2):93-96.
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[12] 周大新.明宫女·武家祠堂[M].北京:人民文学出版社,2016:525.
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[16] 周大新.向上的台阶[M].北京:人民文学出版社,2016:139.
[17] 周大新.曲终人在[M].北京:人民文学出版社,2016:195.
[18] 胡平.新官场文学的经典之作——评周大新长篇小说《曲终人在》[J].当代作家评论,2015,(6):66-72.
[2] 周大新.走出盆地[M].北京:人民文学出版社,2016:9-10.
[3] 曹书文.当代家族小说的性别审视[J].武汉大学学报:哲学社会科学版,2005,(3):301-305.
[4] 周大新.湖光山色[M].北京:人民文学出版社,2016:50.
[5] 梁鸿.周大新小说论[J].小说评论,2003,(5):56-59.
[6] 丁帆.文化批判的审美价值坐标[M].北京:北京师范大学出版社,2009:118.
[7] 刘禾.跨语际实践——文学,民族文化与被译介的现代性[M].北京:生活·读书·新知三联书店,2002:298.
[8] 周大新.第二十幕:上[M].北京:人民文学出版社,2016:29.
[9] 孔会侠.与一颗简白、慈柔之心的对话——周大新访谈[J].小说评论,2017,(2):93-96.
[10] [美]韦勒克,沃伦.文学原理[M].刘象愚译.南京:江苏教育出版社,2005:249-250.
[11] 李泽厚.中国古代思想史论[M].北京:人民出版社,1985:317.
[12] 周大新.明宫女·武家祠堂[M].北京:人民文学出版社,2016:525.
[13] 周大新.紫雾·家族[M].北京:人民文学出版社,2016:6-8.
[14] 金克木.比较文化论集[M].北京:生活·读书·新知三联书店,1984:189.
[15] 周大新.假如人民把权力交给你——关于《曲终人在》[J].博览群书,2016,(3):127-128.
[16] 周大新.向上的台阶[M].北京:人民文学出版社,2016:139.
[17] 周大新.曲终人在[M].北京:人民文学出版社,2016:195.
[18] 胡平.新官场文学的经典之作——评周大新长篇小说《曲终人在》[J].当代作家评论,2015,(6):66-72.