“诗人”的选择——艺术生产中的创作心理研究
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摘要
艺术生产作为艺术形态中审美性的精神生产,探索它的创作动机、生产方式以及创作心理都不应脱离创作者本身。《诗人与白日梦》探究诗人创造性的生产文艺作品所需资料的获得途径和输出方式,由于其原因和技法的复杂性而不能简单将诗人的灵感归结为类似白日梦的幻觉或者就是白日梦本身。但也不可否认,"白日梦"这种解释方法的确对"诗人"的艺术生产有着不可忽视的影响。结合《月亮与六便士》和《霸王别姬》来探讨"诗人"的选择与心理状态,从而明晰"诗人"的艺术生产动机、创作心理等一系列艺术创作感受。
Since the artistic production is an aesthetic spiritual one in art form,the exploration of its motive for creation,the way of production and the psychology of creation should not be independent of the artist himself. Creative Writers and Day-dreaming by Sigmund Freud explores the approaches in which the poet obtains and outputs the information he needs for his creative production of literary and artistic works. Because of the complexity of the reasons and techniques,the poet's inspiration cannot be simply attributed to a daydream-like illusion or the daydream itself,nor can it be denied that the interpretation of"daydream"has an unignorable influence on the artistic production of poets. Based on the study of The Moon and Sixpence and Farewell My Concubine,the paper discusses the selection and psychology of the "poet",so as to clarify a series artistic authoring experiences like the motive of artistic production and the creative psychology.
Since the artistic production is an aesthetic spiritual one in art form,the exploration of its motive for creation,the way of production and the psychology of creation should not be independent of the artist himself. Creative Writers and Day-dreaming by Sigmund Freud explores the approaches in which the poet obtains and outputs the information he needs for his creative production of literary and artistic works. Because of the complexity of the reasons and techniques,the poet's inspiration cannot be simply attributed to a daydream-like illusion or the daydream itself,nor can it be denied that the interpretation of"daydream"has an unignorable influence on the artistic production of poets. Based on the study of The Moon and Sixpence and Farewell My Concubine,the paper discusses the selection and psychology of the "poet",so as to clarify a series artistic authoring experiences like the motive of artistic production and the creative psychology.
引文
[1]毛姆.月亮与六便士[M].苏福忠,译.长春:时代文艺出版社,2017.
[2]苏雯.从弗洛伊德精神分析法解析《月亮与六便士》[J].产业与科技论坛,2016,15(17):172-173.
[3]王堆.弗洛伊德精神分析法与文学创作[J].鸡西大学学报,2009,9(1):118-119.
[4]马媛,王子超.天易老情难绝——谈李碧华《霸王别姬》历史书写中的诗化悲剧艺术[J].山东商业职业技术学院学报,2015(1):85-88.
[5]高铭泽.《霸王别姬》中的爱恨情缘[J].西部广播电视,2015(21):122-123.
[6]张馨予.人生如戏戏如人生——浅析《霸王别姬》里的人物性格渲染[J].新闻世界,2015(8):236-237.
[7]王茜.从精神分析角度解读《霸王别姬》中程蝶衣的人格[J].呼伦贝尔学院学报,2010(5):49-50,72.
[8]彭晓红,唐永红.《霸王别姬》:戏如人生——从程蝶衣看人性的迷失[J].贵州工业大学学报,2008(4):134-137.
[9]周思婷.由《月亮与六便士》浅谈艺术家应具备的素质与能力[J].美术教育研究,2017(12):48.
[10]妥建清.是伟大的发现还是病人的呓语——评弗洛伊德《诗人同白日梦的关系》[J].浙江传媒学院学报,2007(1):76-78.
[2]苏雯.从弗洛伊德精神分析法解析《月亮与六便士》[J].产业与科技论坛,2016,15(17):172-173.
[3]王堆.弗洛伊德精神分析法与文学创作[J].鸡西大学学报,2009,9(1):118-119.
[4]马媛,王子超.天易老情难绝——谈李碧华《霸王别姬》历史书写中的诗化悲剧艺术[J].山东商业职业技术学院学报,2015(1):85-88.
[5]高铭泽.《霸王别姬》中的爱恨情缘[J].西部广播电视,2015(21):122-123.
[6]张馨予.人生如戏戏如人生——浅析《霸王别姬》里的人物性格渲染[J].新闻世界,2015(8):236-237.
[7]王茜.从精神分析角度解读《霸王别姬》中程蝶衣的人格[J].呼伦贝尔学院学报,2010(5):49-50,72.
[8]彭晓红,唐永红.《霸王别姬》:戏如人生——从程蝶衣看人性的迷失[J].贵州工业大学学报,2008(4):134-137.
[9]周思婷.由《月亮与六便士》浅谈艺术家应具备的素质与能力[J].美术教育研究,2017(12):48.
[10]妥建清.是伟大的发现还是病人的呓语——评弗洛伊德《诗人同白日梦的关系》[J].浙江传媒学院学报,2007(1):76-78.