摘要
《地久天长》美术设计中真实精细场景空间的呈现包含了美术师吕东对于电影美术独特表达方式的探索。他的电影美术设计达到润物无声的艺术真实,在保留着这部文艺片独有的含蓄压抑的情感基调的同时,通过隐喻空间的叙事细节表达一位艺术家对人性和艺术"悲悯"和"觉悟"的世界观和哲学观,以及自成一体的"金字塔结构"中的"活感性"思维运用的方法论。
The presentation of the real and delicate scenery in the production design of So Long, My Son includes the exploration of the unique expression of filmic production design by Lv Dong. His design has achieved the silent artistic truth. While retaining the unique and subtle emotional tone of this So Long, My Son, he expresses an artist's worldview and philosophical view of "sorrow" and "enlightenment" regarding human nature and art through the narrative details of metaphorical space and the methodology of the use of live sensibility in the self-contained "pyramid structure."
引文
1出自《庄子·刻意》:“就薮泽,处闲旷,钓鱼闲处,无为而已矣。此江海之士,避世之人,闲暇者之所好也。”
2[埃及]伊哈布·哈桑,莎利·哈桑编.革新/更新:研究人文科学的新视角.柳鸣九主编.20世纪现实主义,北京:中国社会科学出版社,2001.71.
3[德]马克思.1844年经济学哲学手稿.中央编译局译.北京:人民出版社,2000.86.