从静态到动态:《闸口盘车图》的动画演示
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摘要
如何使文物展示更为引人入胜一直是各大博物馆努力的方向。以上海博物馆藏《闸口盘车图》为例,我们运用三维技术还原画中场景,展现故事脉络,有助于观众更好地欣赏绘画并领悟其立意,希望能为平面类文物的立体动态化演示提供新的思路。
Museums are trying to make the demonstration of planar cultural relics more and more effective and attractive. Taking Watermill at the Dam in Shanghai Museum as an example, visitors will understand the painting better through the reconstruction of scenes and storylines. By analyzing the production procedure of three dimensional animation, it can provide the experience of dynamic and stereoscopic demonstration for other Chinese paintings.
Museums are trying to make the demonstration of planar cultural relics more and more effective and attractive. Taking Watermill at the Dam in Shanghai Museum as an example, visitors will understand the painting better through the reconstruction of scenes and storylines. By analyzing the production procedure of three dimensional animation, it can provide the experience of dynamic and stereoscopic demonstration for other Chinese paintings.
引文
[1]李崇州,李盛.试论《闸口盘车图》中水击面罗的机械构造与原理[J].中国科技史杂志,2014(2):198-203.
[2]李绚丽.数字展示技术在博物馆展览中的应用[J].中国博物馆,2015(2):31-41.
[3]马玉静.试谈博物馆陈列展览中的数字媒体技术[J].中国博物馆,2015(4):89-95.
[4]张爱华,孟开元.数字媒体环境下古典名画的展示传播研究——以《清明上河图》为例[J].美术教育研究,2016(10):46-47.
[5]徐浩.数字展厅在博物馆中的建立与探索——以国家博物馆“国博典藏《乾隆南巡图》长卷数字展示”为例[M]//北京市文物局.北京文博文丛.北京:北京燕山出版社,2015.
[2]李绚丽.数字展示技术在博物馆展览中的应用[J].中国博物馆,2015(2):31-41.
[3]马玉静.试谈博物馆陈列展览中的数字媒体技术[J].中国博物馆,2015(4):89-95.
[4]张爱华,孟开元.数字媒体环境下古典名画的展示传播研究——以《清明上河图》为例[J].美术教育研究,2016(10):46-47.
[5]徐浩.数字展厅在博物馆中的建立与探索——以国家博物馆“国博典藏《乾隆南巡图》长卷数字展示”为例[M]//北京市文物局.北京文博文丛.北京:北京燕山出版社,2015.