我国传统音乐疗法的追本溯源
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摘要
我国的音乐疗法具有两千多年的历史,是中医学的社会科学特性和中医学理论体系中整体观念的具体体现,是中医诊疗的重要组成部分。最早把音乐作为治疗方法的记载见于《吕氏春秋·古乐篇》。我国中医典籍《黄帝内经》首次提出五音疗疾理论,奠定了我国传统音乐疗法的理论基础,构建了我国传统音乐疗法理论的基本框架。后代医家对其不断补充与发展,并将其广泛应用于临床治疗实践。文章系统整理了我国传统音乐疗法的相关文献,总结并归纳了其理论基础和临床应用,探讨了其研究价值与方向,以为今后其理论和临床方面的研究提供了依据。
The music therapy in China has a history of thousands of years. It is the embodiment of the social science characteristics and the concept of the holism theoretical system of traditional Chinese medicine. It is also an important part of the diagnosis and treatment of traditional Chinese medicine(TCM). The earliest use of music as a method of diagnosis and treatment was recorded in LYUs' Spring and Autumn Annals·Ancient Music. The classics of the TCM, Huangdi Neijing, which firstly presented the Five elements music theory which laid the theoretical foundation of traditional music therapy in China and constructed the basic framework of traditional music therapy in China. Later, it was continuously supplemented, developed and applied widely in clinical practice by the medical experts. This article systematically summarized the related literature of traditional music therapy in China, summarized its theoretical basis and clinical applications, then discussed its research value and directions, which provided the basis for later theoretical and clinical research.
The music therapy in China has a history of thousands of years. It is the embodiment of the social science characteristics and the concept of the holism theoretical system of traditional Chinese medicine. It is also an important part of the diagnosis and treatment of traditional Chinese medicine(TCM). The earliest use of music as a method of diagnosis and treatment was recorded in LYUs' Spring and Autumn Annals·Ancient Music. The classics of the TCM, Huangdi Neijing, which firstly presented the Five elements music theory which laid the theoretical foundation of traditional music therapy in China and constructed the basic framework of traditional music therapy in China. Later, it was continuously supplemented, developed and applied widely in clinical practice by the medical experts. This article systematically summarized the related literature of traditional music therapy in China, summarized its theoretical basis and clinical applications, then discussed its research value and directions, which provided the basis for later theoretical and clinical research.
引文
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[3]张丽萍,张曼,张伯礼.音乐疗法机理浅析及其在失眠治疗中的应用.辽宁中医杂志,2010,37(3):420-422
[4]卞镝,田辉,隋月皎,等.论音乐疗法对心身疾病的康复作用.辽宁中医杂志,2013,40(8):1570-1571
[5]蔡仲德.《乐记》的唯心论实质难以否定——答李业道先生.中央音乐学院学报,2000,21(1):51-57
[6]彭林.儒家乐教与德性圆满.文史哲,2013,63(6):5-13,161
[7]边江红.古琴音乐疗法概况及其对中风后抑郁症的治疗浅析.湖南中医杂志,2012,28(4):144-145
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[13]林法财.基于《黄帝内经》五音理论探析辨证施乐.中华中医药杂志,2018,33(12):5535-5537
[14]林法财,吴云川.基于“以情胜情”理论探讨五行音乐疗法.中华中医药杂志,2018,33(7):2733-2735
[15]颜妙璇,付于.皮部浅刺结合五行音乐宫调疗法治疗63例兼症为心脾两虚郁证患者疗效观察.针灸临床杂志,2016,32(1):11-14
[16]王智.音乐治疗对抑郁症患者情绪改善的疗效观察.辽宁中医杂志,2006,33(7):846
[17]王洪图.内经选读.上海:上海科学技术出版社,1997:6-10
[18]张辉,张先庚,王红艳,等.五行音乐疗法在中医情志护理的应用.中国疗养医学,2014,23(12):1077-1079
[19]杨玉兴,李宇欣,乔树洲,等.五行音乐佐治老年抑郁症临床研究.安徽中医药大学学报,2016,35(6):18-21
[20]陈欣然.中医脉诊起源及《脉经》以前各脉诊法本义研究.北京:北京中医药大学,2017
[21]朱杰.说“乐”——音乐治疗与中医药.辽宁中医杂志,2007,34(1):38-39
[22]明·朱橚.普济方.北京:人民卫生出版社,1960:4604-4609
[23]明·张介宾.类经图翼(二卷律原).北京:人民卫生出版社,1958:259
[24]杨玉帆.抑郁症之文献研究及中医养生防治探讨.广州:广州中医药大学,2009
[25]孟昕,汪卫东.中医五行音乐疗法的理论和应用探析.环球中医药,2017,10(10):1118-1121
[26]陶崇华.角、宫调音乐配合中药治疗脑卒中后抑郁(肝郁脾虚证)的临床研究.长春:长春中医药大学,2015
[27]王军.金元四大家医学全书(上册).天津:天津科学技术出版社,1994:410,409,448
[28]李炜弘,王米渠,李世通,等.恐怒等情志发病的音乐心理治疗古案6例.现代中西医结合杂志,2006,15(18):2443-2445
[29]唐承华.中医药配合五行音乐疗法辨证治疗卒中后抑郁的临床研究.广州:广州中医药大学,2014
[30]明·万全.幼科发挥.北京:人民卫生出版社,2006:49
[31]Berry Elliot M.The role of the sociotype in managing chronic disease:integrating bio-psycho-sociology with systems biology.Medical Hypotheses,2011,77(4):610-613
[32]李辉,朱天民.中医传统音乐疗法治疗糖尿病抑郁症临床研究.辽宁中医杂志,2011,38(5):929-931
[2]胡松洁.音乐疗法的中医理论基础.山西中医学院学报,2010,11(3):13-14
[3]张丽萍,张曼,张伯礼.音乐疗法机理浅析及其在失眠治疗中的应用.辽宁中医杂志,2010,37(3):420-422
[4]卞镝,田辉,隋月皎,等.论音乐疗法对心身疾病的康复作用.辽宁中医杂志,2013,40(8):1570-1571
[5]蔡仲德.《乐记》的唯心论实质难以否定——答李业道先生.中央音乐学院学报,2000,21(1):51-57
[6]彭林.儒家乐教与德性圆满.文史哲,2013,63(6):5-13,161
[7]边江红.古琴音乐疗法概况及其对中风后抑郁症的治疗浅析.湖南中医杂志,2012,28(4):144-145
[8]唐·房玄龄.晋书(第三册).北京:中华书局,1978:677
[9]马越,刘明明,高思华,等.基于《黄帝内经》五音理论的中医音乐疗法探讨.中华中医药杂志,2014,29(5):1294-1297
[10]刘伟.浅谈五音疗法的理论基础.国医论坛,2003,18(5):17
[11]张杰,徐芳,杜渐,等.中医五音疗法探析.长春中医药大学学报,2011,27(5):702-704
[12]林法财,贺娜娜,黄德弘.浅探《黄帝内经》中五行音乐疗法.中华中医药杂志,2015,30(11):4161-4162
[13]林法财.基于《黄帝内经》五音理论探析辨证施乐.中华中医药杂志,2018,33(12):5535-5537
[14]林法财,吴云川.基于“以情胜情”理论探讨五行音乐疗法.中华中医药杂志,2018,33(7):2733-2735
[15]颜妙璇,付于.皮部浅刺结合五行音乐宫调疗法治疗63例兼症为心脾两虚郁证患者疗效观察.针灸临床杂志,2016,32(1):11-14
[16]王智.音乐治疗对抑郁症患者情绪改善的疗效观察.辽宁中医杂志,2006,33(7):846
[17]王洪图.内经选读.上海:上海科学技术出版社,1997:6-10
[18]张辉,张先庚,王红艳,等.五行音乐疗法在中医情志护理的应用.中国疗养医学,2014,23(12):1077-1079
[19]杨玉兴,李宇欣,乔树洲,等.五行音乐佐治老年抑郁症临床研究.安徽中医药大学学报,2016,35(6):18-21
[20]陈欣然.中医脉诊起源及《脉经》以前各脉诊法本义研究.北京:北京中医药大学,2017
[21]朱杰.说“乐”——音乐治疗与中医药.辽宁中医杂志,2007,34(1):38-39
[22]明·朱橚.普济方.北京:人民卫生出版社,1960:4604-4609
[23]明·张介宾.类经图翼(二卷律原).北京:人民卫生出版社,1958:259
[24]杨玉帆.抑郁症之文献研究及中医养生防治探讨.广州:广州中医药大学,2009
[25]孟昕,汪卫东.中医五行音乐疗法的理论和应用探析.环球中医药,2017,10(10):1118-1121
[26]陶崇华.角、宫调音乐配合中药治疗脑卒中后抑郁(肝郁脾虚证)的临床研究.长春:长春中医药大学,2015
[27]王军.金元四大家医学全书(上册).天津:天津科学技术出版社,1994:410,409,448
[28]李炜弘,王米渠,李世通,等.恐怒等情志发病的音乐心理治疗古案6例.现代中西医结合杂志,2006,15(18):2443-2445
[29]唐承华.中医药配合五行音乐疗法辨证治疗卒中后抑郁的临床研究.广州:广州中医药大学,2014
[30]明·万全.幼科发挥.北京:人民卫生出版社,2006:49
[31]Berry Elliot M.The role of the sociotype in managing chronic disease:integrating bio-psycho-sociology with systems biology.Medical Hypotheses,2011,77(4):610-613
[32]李辉,朱天民.中医传统音乐疗法治疗糖尿病抑郁症临床研究.辽宁中医杂志,2011,38(5):929-931