当代“大舞美”观念与“整体设计”未来趋势
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摘要
作为二度创作的重要元素,从既往的布景设计到当代的表演设计,跨世纪的世界舞台美术领域发生了一些深刻变化。我国经历了40年的改革开放,舞台艺术从封闭走向多元,积极的创作实践和广泛的社会需求相互作用,拓展了专业疆界,催生了"大舞美"观念。本文旨在客观分析当下舞美创作国际背景,评估典型作品的意义与价值,进而面向未来,从理论上解读包容度将越来越大的文化载体,用"整体设计"的眼光,展望舞美发展的未来。
As an important element of re-creation, from the past scenery design to contemporary performance design, some profound changes have taken place in the field of world stage art in New Century. After 40 years reform and opening up, the format of stage art has changed from closed pattern to multi one. The interaction of active creation practice and extensive social needs expands the professional boundaries, and gives birth to the concept of "great stage art". This paper aims to objectively analyze the current international background of stage art, evaluate the significance and value of typical works, and then face the future, theoretically interpret the more and more inclusive cultural vehicle, look forward to the future of stage art from the perspective of the "integrated design".
As an important element of re-creation, from the past scenery design to contemporary performance design, some profound changes have taken place in the field of world stage art in New Century. After 40 years reform and opening up, the format of stage art has changed from closed pattern to multi one. The interaction of active creation practice and extensive social needs expands the professional boundaries, and gives birth to the concept of "great stage art". This paper aims to objectively analyze the current international background of stage art, evaluate the significance and value of typical works, and then face the future, theoretically interpret the more and more inclusive cultural vehicle, look forward to the future of stage art from the perspective of the "integrated design".
引文