洗心禅寺前广场景观空间——对现实禅意的营造
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摘要
佛教景观是精神和物质的双重性表达,其对空间的塑造承担了展示和弘扬佛教理念与文化的重要任务。本文将洗心禅寺前广场景观空间体验后所获得的三个感受性特征归纳如下:现实圣境中的空间体验、隐遁世俗的山水观念、风水和因果论下的水景设计。在此基础上,作为寺院前广场景观,洗心禅寺通过构造布局来强调人在空间中的体验感受,试图加强人与自然的互动,完善景观的社会功能,宣扬传统文化观念,创造出一个现实意义上的禅意空间。
The buddhist landscape is the dual expression of spirit and material, and its shaping of space undertakes the important task of displaying and carrying forward buddhist ideas and culture. In this paper, the three perceptive characteristics obtained after the experience of the landscape space in the square in front of Xixin zen temple are summarized as follows: the space experience in the real holy land, the recluse and secular concept of mountains and waters, the waterscape design under the theory of feng shui and causality. On this basis, as the square landscape in front of the temple, Xixin zen temple emphasizes people's experience and feelings in the space through the structure and layout, trying to strengthen the interaction between people and nature, improve the social function of the landscape, publicize traditional cultural concepts, and create a realistic zen space.
The buddhist landscape is the dual expression of spirit and material, and its shaping of space undertakes the important task of displaying and carrying forward buddhist ideas and culture. In this paper, the three perceptive characteristics obtained after the experience of the landscape space in the square in front of Xixin zen temple are summarized as follows: the space experience in the real holy land, the recluse and secular concept of mountains and waters, the waterscape design under the theory of feng shui and causality. On this basis, as the square landscape in front of the temple, Xixin zen temple emphasizes people's experience and feelings in the space through the structure and layout, trying to strengthen the interaction between people and nature, improve the social function of the landscape, publicize traditional cultural concepts, and create a realistic zen space.
引文
[1]李嶷.洗心为镜和谐天下记湖南洗心禅寺[J].中国宗教,2013(3):84-85.
[2]李旭.多元文化影响下的湖南古代佛教寺院建筑研究[D].长沙:湖南大学,2016.
[3]冯路.隐匿的前廊——佛光寺东大殿的空间性[J].建筑学报,2018(9):38-42.
[4]薛淞文.南岳佛教寺庙空间形态研究[D].株洲:湖南工业大学,2012:34.
(1)缘起性空是佛教用语。所谓“缘起”,就是认为世间上的事事物物非凭空而有,不能单独存在,必须依靠种种因缘条件和合才能成立,一旦组成的因缘散失,事物本身也就归于乌有,「诸法因缘生,诸法因缘灭」的因果定律,称之为「缘起」.
[2]李旭.多元文化影响下的湖南古代佛教寺院建筑研究[D].长沙:湖南大学,2016.
[3]冯路.隐匿的前廊——佛光寺东大殿的空间性[J].建筑学报,2018(9):38-42.
[4]薛淞文.南岳佛教寺庙空间形态研究[D].株洲:湖南工业大学,2012:34.
(1)缘起性空是佛教用语。所谓“缘起”,就是认为世间上的事事物物非凭空而有,不能单独存在,必须依靠种种因缘条件和合才能成立,一旦组成的因缘散失,事物本身也就归于乌有,「诸法因缘生,诸法因缘灭」的因果定律,称之为「缘起」.