唐诗中的叠字“萋萋”
|
摘要
唐诗中运用的叠字,以AA式居多。诗歌字数限制和叠字在句中的位置不同,对上下句的声律搭配产生了重要影响,不同的位置也带来了不同的语序,由此叠字也表现出不同的句法特征。同一叠字在不同的诗歌中呈现出不同的语义内涵,与上下句的语义组配也表现出多种情况,包括反义搭配、类义搭配及其他。由于叠字本身的特殊性,其在语用上也呈现出极具特色的音美、意美和形美。运用"小三角"的理论和方法,分析高频叠字"萋萋"在唐诗中的语表形式、语里意义和语用价值。
A large number of reduplication were used in the Tang poems and the AA-type is in the majority.The limitation of the number of words and the position of the reduplication in the sentence have an important influence on the rhythm of the collocation of the former or latter sentences.Different positions also bring different order,therefore the reduplication also show different syntactic features.The same reduplication in different poems show different semantic connotations and it also appeared in a variety of situations when mix and match the former or latter sentences,including antisense collocation,semantically-related collocation and other.Because of the particularity of the reduplication itself,it also presents the beauty in sense,sound and form with distinguishing features.This article has examined one of the highfrequency reduplication "Qiqi" for a simple examination,which use the method of "Small Triangle Theory",analysing the word "Qiqi" in the Tang Dynasty in the linguistic form,connotative meaning and language value.
A large number of reduplication were used in the Tang poems and the AA-type is in the majority.The limitation of the number of words and the position of the reduplication in the sentence have an important influence on the rhythm of the collocation of the former or latter sentences.Different positions also bring different order,therefore the reduplication also show different syntactic features.The same reduplication in different poems show different semantic connotations and it also appeared in a variety of situations when mix and match the former or latter sentences,including antisense collocation,semantically-related collocation and other.Because of the particularity of the reduplication itself,it also presents the beauty in sense,sound and form with distinguishing features.This article has examined one of the highfrequency reduplication "Qiqi" for a simple examination,which use the method of "Small Triangle Theory",analysing the word "Qiqi" in the Tang Dynasty in the linguistic form,connotative meaning and language value.
引文
[1]邢福义.汉语语法学[M].长春:东北师范大学出版社.1998:395.
[2]郑远汉.结构变换修辞论——定中式和主谓式的换用[J].修辞学习,1995(1):1-4.
[3]辞海编辑委员会.辞海[M].上海:上海辞书出版社,1979:1011.
[4]符定一.联绵字典[M].北京:中华书局,1946:102.
[5]王力.古汉语字典[M].北京:中华书局,2000:141.
[6]徐中舒.汉语大字典[M].武汉:湖北辞书出版社,1992:1011.
[7]胡裕树.新编古今汉语大词典[M].上海:上海辞书出版社,1995:448.
[8]鲁迅.自文字到文章[M]//汉文学史纲要.湖南:岳麓书社,2013:66.
[9]闻一多.诗的格律[J].诗镌,1926(3):7.
[10]冯广艺,王赛珈.七言近体诗对句中的AA式叠字[J].汉语学报,2016(4):19-26.
[2]郑远汉.结构变换修辞论——定中式和主谓式的换用[J].修辞学习,1995(1):1-4.
[3]辞海编辑委员会.辞海[M].上海:上海辞书出版社,1979:1011.
[4]符定一.联绵字典[M].北京:中华书局,1946:102.
[5]王力.古汉语字典[M].北京:中华书局,2000:141.
[6]徐中舒.汉语大字典[M].武汉:湖北辞书出版社,1992:1011.
[7]胡裕树.新编古今汉语大词典[M].上海:上海辞书出版社,1995:448.
[8]鲁迅.自文字到文章[M]//汉文学史纲要.湖南:岳麓书社,2013:66.
[9]闻一多.诗的格律[J].诗镌,1926(3):7.
[10]冯广艺,王赛珈.七言近体诗对句中的AA式叠字[J].汉语学报,2016(4):19-26.