中日佛教文化的世俗性与中日艺术差异之关系
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摘要
中国进入东汉时期(汉朝汉明帝永平十年,AC67),佛教传入,500余年,大约在公元六世纪的时(中国南北朝时期),经过中国社会和文化的双重影响、一定程度的汉化改造的佛教和道教等中国文化元素经百济(古代朝鲜半岛国家,日本本土为大和国时期)传入日本(日本学界较认可的说法)。传入日本之后,中日佛教交流历史上基本以一种独立而同源的方式各自发展着,直到今天,中国与日本的佛教发展从世俗影响上来说具有十分不同,世俗文化的影响不是一蹴而就,它伴随着佛教发展近千年的时间轴产生的是潜移默化的民族文化语码,并深刻影响着当代中日艺术风格以及民族哲学内在的表达方式。在世俗人眼里,我们会发现佛学完全不是一门很确定的知识,而是随着时代的发展,随着传播地域的拓展,不断改变形象,同时还在不断分化。所以我们不要仅仅把佛教历史当成历史,不妨把历史学的方法当成一种探究谜题的手段,去探究中日艺术差异的所在。
China into the eastern han dynasty(the han Ming emperor, yongping ten years AC67), Buddhism was introduced,more than 500 years, about the sixth century a.d(China) and southern and northern dynasties period, after the Chinese society and culture, a certain degree of localization as well as the influence of the transformation of Chinese culture element such as Buddhism and Taoism through paekche(ancient countries of the Korean peninsula, Japan and countries period) was introduced into Japan, Japanese academia is approved). Introduced into Japan, sino-japanese exchange in the history of Buddhism basic their development in the form of a kind of independent and homologous, until today, the development of Buddhism in China and Japan is very different from the secular influence, the influence of secular culture is not achieved overnight, it is accompanied by the Buddhism development nearly one thousand years is exert a subtle influence on the shaft of the code of national culture, artistic style and profound influence on contemporary China and Japan as well as national philosophy inherent expression. In the eyes of the laity, we will find that Buddhism is not a certain knowledge at all, but with the development of The Times, with the expansion of the communication region, constantly changing the image, and at the same time, constantly dividing. Therefore, we should not only take the history of Buddhism as history, but also take the method of history as a means to explore the puzzle, to explore the differences between Chinese and Japanese art.
China into the eastern han dynasty(the han Ming emperor, yongping ten years AC67), Buddhism was introduced,more than 500 years, about the sixth century a.d(China) and southern and northern dynasties period, after the Chinese society and culture, a certain degree of localization as well as the influence of the transformation of Chinese culture element such as Buddhism and Taoism through paekche(ancient countries of the Korean peninsula, Japan and countries period) was introduced into Japan, Japanese academia is approved). Introduced into Japan, sino-japanese exchange in the history of Buddhism basic their development in the form of a kind of independent and homologous, until today, the development of Buddhism in China and Japan is very different from the secular influence, the influence of secular culture is not achieved overnight, it is accompanied by the Buddhism development nearly one thousand years is exert a subtle influence on the shaft of the code of national culture, artistic style and profound influence on contemporary China and Japan as well as national philosophy inherent expression. In the eyes of the laity, we will find that Buddhism is not a certain knowledge at all, but with the development of The Times, with the expansion of the communication region, constantly changing the image, and at the same time, constantly dividing. Therefore, we should not only take the history of Buddhism as history, but also take the method of history as a means to explore the puzzle, to explore the differences between Chinese and Japanese art.
引文
[1](美)大卫·瑞兹曼:《现代设计史》,中国人民大学出版社,2007年
[2]《佛教影响与中日审美意识》,日本学刊,1997年
[3]〔日〕家永三郎:《日本文化史》,岩波书店1984年
[4]《中日传统纹样民族性的比较》,孙丹昱,吉林大学,2007
[5]《浅议中国建筑外形美》,李永玲、刘伟、王立群,中国建筑材料工业规划研究院,2018
[2]《佛教影响与中日审美意识》,日本学刊,1997年
[3]〔日〕家永三郎:《日本文化史》,岩波书店1984年
[4]《中日传统纹样民族性的比较》,孙丹昱,吉林大学,2007
[5]《浅议中国建筑外形美》,李永玲、刘伟、王立群,中国建筑材料工业规划研究院,2018