《知音号》演艺空间体验设计研究
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摘要
目的在西方的环境戏剧和沉默戏剧为代表的先锋戏剧理论的影响下,诞生了一系列新的戏剧演艺形式,国内的旅游演艺也不断向着深度文化旅游体验方向发展,由此衍生出了沉浸式演艺,由于该新的戏剧演艺形式在国内处于起步阶段,所以研究沉浸式演艺空间中的体验营造设计能为当今的设计行为提供有利的指导。方法以国内目前最新的沉浸式演艺空间案例为研究对象,尝试从空间环境营造、空间组织和时间管理体验等方面对《知音号》演艺空间体验营造进行深入的剖析。结论通过打造一个近乎真实的情境式演绎空间,以及利用新媒体技术、VR虚拟现实技术和现代高科技将感知体验和认知体验相融合,打破了传统剧场中舞台与观众席相互对立的局面,实现了观与演的融合。
Objective Under the influence of the avant-garde drama theory represented by the western environmental drama and silent drama, a series of new theatrical performing arts modes were born, and the domestic tourism performing arts continued to develop towards the deep cultural tourism experience, which led to the immersive performing arts. However, the new theatrical performance mode is in its infancy in the country, and the study of the experience in the immersive performing arts space provides a useful guide for today's design behavior. Method Taking the latest immersive performing arts space case in China as the research object, this paper attempts to analyze the creation of the "ZhiYin" performing space experience from the aspects of space environment, space organization and time management experience. Conclusion By creating a nearrealistic contextual interpretation space, and using new media technologies, VR virtual reality technology and modern high technology to combine the perceived experience with the cognitive experience, the situation in which the stage and the auditorium are opposite each other in the traditional theater is broken. The fusion of concept and performance.
Objective Under the influence of the avant-garde drama theory represented by the western environmental drama and silent drama, a series of new theatrical performing arts modes were born, and the domestic tourism performing arts continued to develop towards the deep cultural tourism experience, which led to the immersive performing arts. However, the new theatrical performance mode is in its infancy in the country, and the study of the experience in the immersive performing arts space provides a useful guide for today's design behavior. Method Taking the latest immersive performing arts space case in China as the research object, this paper attempts to analyze the creation of the "ZhiYin" performing space experience from the aspects of space environment, space organization and time management experience. Conclusion By creating a nearrealistic contextual interpretation space, and using new media technologies, VR virtual reality technology and modern high technology to combine the perceived experience with the cognitive experience, the situation in which the stage and the auditorium are opposite each other in the traditional theater is broken. The fusion of concept and performance.
引文
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[3]许诺.情境式剧场空间设计研究[D].广州:广州美术学院,2017.
[4]刘冬莉.知音号一艘关于记忆的轮船[J]. Special Focus,2017(8):6-17.
[5]胡国梁,李钰宇.宁乡关山三国文化展示馆体验设计研究[J].装饰,2017(9):130-131.
[6]约瑟夫·派恩.体验经济[M].北京:机械工业出版社,2012.
[7]陈飞.环境戏剧体验式观演空间设计探究[D].北京:清华大学,2015.
[8]理查德·谢克纳.环境戏剧[M].北京:北京戏剧出版社,2001.
[9]胡正凡,林玉莲.环境心理学[M].北京:中国建筑工业出版社,2012.
[10]王铬,沈康,许诺.沉浸式展演空间体验模式与空间组织设计探究[J].华中建筑,2018(11):152-156.