论《墓畔哀歌》中的悖论及其应对策略
摘要
《墓畔哀歌》虽在表面上继承了新古典主义的和谐理念和对完美形式的追求,但实际上该诗规整平和的人自身经历及时代背景相关。最终诗人选择借助kindred spirit的友谊和墓铭这一语言工具来调和矛盾,帮助人类对抗游离在群体之外的孤独感和在永恒时间里短暂存在的虚无感。
引文
[1] Brooks, Cleanth. The Well Wrought Urn[M]. New York and London:Harcourt Brace&Company, 1942.
[2] Golden, Morris. Thomas Gray, Updated Edition[M]. Boston:Twayne Publishers, 1988.
[3] Haffenden, John. William Empson:Among the Mandarins[M].Oxford:Oxford University Press, 2005.
[4] Hutchings, W. Syntax of Death:Instability in Gray’s“Elegy Written in a Country Churchyard”[J]. Studies in Philology,1984, 81(4):496-514.
[5] Mason, William. Poems of Mr. Gray Memoirs of His Life and Writings[M]. York:A. Ward; London:J. Dodsley&J.Todd, 1775.
[6] Weinbrot, Howard D.. Gray’ s Elegy:A Poem of Moral Choice and Resolution[J]. Studies in English Literature, 1978(3):537-551.
[7]孙美萍.托马斯·格雷与《墓畔哀歌》——淡泊以明志,宁静以致远[J].校园英语,2017(33):251-251.
[8]王佐良.十八世纪英语诗歌[J].外国文学,1990.
[2] Golden, Morris. Thomas Gray, Updated Edition[M]. Boston:Twayne Publishers, 1988.
[3] Haffenden, John. William Empson:Among the Mandarins[M].Oxford:Oxford University Press, 2005.
[4] Hutchings, W. Syntax of Death:Instability in Gray’s“Elegy Written in a Country Churchyard”[J]. Studies in Philology,1984, 81(4):496-514.
[5] Mason, William. Poems of Mr. Gray Memoirs of His Life and Writings[M]. York:A. Ward; London:J. Dodsley&J.Todd, 1775.
[6] Weinbrot, Howard D.. Gray’ s Elegy:A Poem of Moral Choice and Resolution[J]. Studies in English Literature, 1978(3):537-551.
[7]孙美萍.托马斯·格雷与《墓畔哀歌》——淡泊以明志,宁静以致远[J].校园英语,2017(33):251-251.
[8]王佐良.十八世纪英语诗歌[J].外国文学,1990.