文人造园家白居易的月意象探析
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摘要
月亮在人类早期文明发展中是被赋予神秘色彩而神圣化了的,直到宏伟浪漫的唐王朝才逐渐被人们普遍写进诗文中,而增添了丰富的内在艺术色彩。随着唐朝文人园林的兴起,文人造园成了一种风尚,他们将自己成熟的思想和自由的灵魂倾注在营建的园林中。在众多的文人雅士中,白居易就是兼备文人和造园家两种身份的典型代表人物。本文在提出月意象表达三要素的基础上分析了文人造园家白居易与月的关系及其月意象的表达,通过对白居易诗词中文献分布统计发现,有240余篇诗词与月相关,进而从月相变化般的人生轨迹、充满神话崇拜色彩的"天人合一"思想以及反映生活习俗的各类社会活动三个方面分析其诗词中的月意象。最后,从借月抒怀和借月成景两个方面分析了白居易在园林营建和园居生活中对月的利用以及对月意象和月景观的营造,深入解读白居易的月相一生,为白居易的理论思想研究提供依据。
The moon was given a mysterious and sacred character in the early development of human civilization. Until the magnificent and romantic Tang dynasty, the moon was gradual y written into the poems which making the poem with a richer inner artistic air.With the rise of the literati gardens in the Tang Dynasty, literati landscaping became a fashion. The literati poured their mature thoughts and free souls into the gardens built.Among the many literati, Bai Juyi was a typical representative of being as both literati and gardener. Based on the three elements of expression of moon imagery, this paper analyzes the relationship among Bai Juyi, the moon and the expression of the moon imagery. According to the statistics analysis of the literature of Bai Juyi's poems, more than 240 poems are related to the moon. This article then uses the three elements of the moon imagery to analyze it in Bai's poetry from the three aspects, i.e., the life trajectory liking the moon phase change, the "Heaven and Man unity" thought full of mythological worship,and various social activities reflecting the customs of life. Finally, Bai Juyi's use of the moon in the design of and life in garden was analyzed from two aspects, namely, borrowing the moon to express feelings and taking the moon into the scene. The paper deeply interprets Bai Juyi's moon phase life, which provides evidence for the research on Bai Juyi's theoretical thinking.
The moon was given a mysterious and sacred character in the early development of human civilization. Until the magnificent and romantic Tang dynasty, the moon was gradual y written into the poems which making the poem with a richer inner artistic air.With the rise of the literati gardens in the Tang Dynasty, literati landscaping became a fashion. The literati poured their mature thoughts and free souls into the gardens built.Among the many literati, Bai Juyi was a typical representative of being as both literati and gardener. Based on the three elements of expression of moon imagery, this paper analyzes the relationship among Bai Juyi, the moon and the expression of the moon imagery. According to the statistics analysis of the literature of Bai Juyi's poems, more than 240 poems are related to the moon. This article then uses the three elements of the moon imagery to analyze it in Bai's poetry from the three aspects, i.e., the life trajectory liking the moon phase change, the "Heaven and Man unity" thought full of mythological worship,and various social activities reflecting the customs of life. Finally, Bai Juyi's use of the moon in the design of and life in garden was analyzed from two aspects, namely, borrowing the moon to express feelings and taking the moon into the scene. The paper deeply interprets Bai Juyi's moon phase life, which provides evidence for the research on Bai Juyi's theoretical thinking.
引文
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[4]石媛.中国古典园林月意象及其空间构建研究[D].中南林业科技大学, 2013.
[5]周维权.中国古典园林史[M].北京:清华大学出版社, 1990.
[6]刘文静.唐白居易“庐山草堂”营造研究[D].西安建筑科技大学, 2015.
[2]薛小敬.中学语文古诗词中“月亮意象”教学研究[D].闽南师范大学, 2017.
[3]白丹,闫煜涛.白居易的园林情结及其对传统私家园林的影响[J].广东园林, 2007(03):8-10.
[4]石媛.中国古典园林月意象及其空间构建研究[D].中南林业科技大学, 2013.
[5]周维权.中国古典园林史[M].北京:清华大学出版社, 1990.
[6]刘文静.唐白居易“庐山草堂”营造研究[D].西安建筑科技大学, 2015.