基于安藤忠雄建筑理念的徽派家具创新设计研究
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摘要
家具与建筑有着千丝万缕的联系,建筑设计理念能推导出家具设计中可用的创新方法。本文以系列徽派家具的设计为研究对象,通过对安藤忠雄光之教堂、风之教堂、水之教堂等建筑的分析,探讨了安藤忠雄建筑中融入自然性、用户体验性以及文化传承性在徽派家具创新设计中的应用方式,得出了安藤忠雄的建筑理念对徽派家具创新设计的启示。并具体以"徽韵系列"家具设计为例,借助徽州建筑的造型元素,将归纳出的安藤忠雄建筑理念在徽派家具创新设计实践中应用和检验,取得了较好的效果。设计出"徽韵系列"沙发两件,为徽派家具的创新设计提供了参考。
Furniture and architecture are inextricably linked. Architectural design concepts can deduce innovative methods available in furniture design. This paper takes Hui-style furniture as the research object, through the analysis of the Church of Light, Church of Wind and Church of Water of Tadao Ando, discusses the application of naturalness, user experience and cultural inheritance in the innovative design of Hui-style furniture in Tadao Ando's architecture. So the inspiration of Tadao Ando's architectural concept to the innovative design of Hui-style furniture is obtained.Taking "Charming Series with Hui style" furniture design as an example, with the help of the shape elements of Huizhou architecture, the application and test of Tadao Ando's architectural concept in the innovative design practice of Huizhou furniture have achieved good results. Two sofas of "Charming Series with Hui style" were designed, which provided reference for the innovative design of Hui-style furniture.
Furniture and architecture are inextricably linked. Architectural design concepts can deduce innovative methods available in furniture design. This paper takes Hui-style furniture as the research object, through the analysis of the Church of Light, Church of Wind and Church of Water of Tadao Ando, discusses the application of naturalness, user experience and cultural inheritance in the innovative design of Hui-style furniture in Tadao Ando's architecture. So the inspiration of Tadao Ando's architectural concept to the innovative design of Hui-style furniture is obtained.Taking "Charming Series with Hui style" furniture design as an example, with the help of the shape elements of Huizhou architecture, the application and test of Tadao Ando's architectural concept in the innovative design practice of Huizhou furniture have achieved good results. Two sofas of "Charming Series with Hui style" were designed, which provided reference for the innovative design of Hui-style furniture.
引文
[1]郭婷婷,陈于书.探究徽派民间家具与建筑的关系[J].家具,2018,39(01):74-76.
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[10]高铭,陈俊凯,朱芋锭.探究中国家具的腿与建筑的柱的关系[J].家具与室内装饰,2018(12):112-113.
[11]王炳江,杨喜梅,吴雪.徽派艺术元素在现代家具设计中的视觉创新研究[J].书画世界,2018(11):87-88.
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[13]张亚鲁,陈光圆,程雪园,柳献忠.新古典主义家具模块化设计研究——以咖啡桌为例[J].家具与室内装饰,2018(12):14-15.
[14]郭莹莹,戴向东.日本传统家具在近代“西化”的造型与风格研究[J].林产工业,2018,45(5):35-39.
[2]黄雄,陈易.徽派家具的艺术特征探究[J].包装工程,2019(08):208-211.
[3]金乃玲,李强.安藤忠雄的空间设计理念对新徽派建筑空间设计的启示[J].安徽建筑工业学院学报(自然科学版),2013,21(05):42-46.
[4]陈惠玲,于再君,叶博雄.徽派建筑风格在现代家具设计的应用与探索[J].家具,2016,37(6):39-42.
[5]陈佳频.低调与调和——安藤忠雄与光之教堂[J].中外建筑,2017(03):48-50.
[6]白晓宇.大道至简少即是多——安藤忠雄的光之教堂[J].生态经济2012(08):196-199.
[7]安亚娜,赵俊学.几何尺度在室内空间中的应用研究[J].家具与室内装饰,2018(12):78-79.
[8]郭婷婷.安藤忠雄设计的真言宗本福寺建筑语言解读[J].美术大观,2015(01):126.
[9]朱思奇,唐开军.现代中式家具产品创新设计方法探讨[J].家具与室内装饰,2019(01):11-12.
[10]高铭,陈俊凯,朱芋锭.探究中国家具的腿与建筑的柱的关系[J].家具与室内装饰,2018(12):112-113.
[11]王炳江,杨喜梅,吴雪.徽派艺术元素在现代家具设计中的视觉创新研究[J].书画世界,2018(11):87-88.
[12]石琳,冯裕良.徽派家具的溯源与设计思想研究[J].赤峰学院学报(自然科学版),2016,32(15):48-50.
[13]张亚鲁,陈光圆,程雪园,柳献忠.新古典主义家具模块化设计研究——以咖啡桌为例[J].家具与室内装饰,2018(12):14-15.
[14]郭莹莹,戴向东.日本传统家具在近代“西化”的造型与风格研究[J].林产工业,2018,45(5):35-39.