论明清藏书诗的人文价值
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摘要
明清时期既是古代私家藏书繁荣发展时期,也是诗歌创作异彩纷呈的时代,这一时期的专咏藏书的诗歌呈现出作品多、内涵丰、文化意蕴深等特点。藏书诗创作群体有身居庙堂的朝廷官员、藏书家本人、商人、贫士、侍妾等。藏书诗的题写形式也呈现出多样性特征来,多题在书橱、墙壁、印章等上。明清藏书诗咏歌内涵以藏书家、藏书活动和藏书楼为主,基本上做到了对藏书文化的全覆盖。藏读结合是明清藏书诗主旨,能够真实而全面地反映藏书家的生活,升华藏书家的精神世界。
The Ming and Qing Dynasties were not only an era of brilliant poetry creation but also the period of prosperity and development of private collection of books characterized with profound quantities,connotations and cultural implications written by imperial officials,collectors,businessmen,poor scholars,and concubines in various places such as bookcases,walls and seals,which presented the whole collecting activities of bibliotheca collection.The combination of collecting and reading was the main subject of the bibliotheca poems in Ming and Qing Dynasties,which reflected the life of the collectors and sublimated their spiritual world truly and comprehensively.
The Ming and Qing Dynasties were not only an era of brilliant poetry creation but also the period of prosperity and development of private collection of books characterized with profound quantities,connotations and cultural implications written by imperial officials,collectors,businessmen,poor scholars,and concubines in various places such as bookcases,walls and seals,which presented the whole collecting activities of bibliotheca collection.The combination of collecting and reading was the main subject of the bibliotheca poems in Ming and Qing Dynasties,which reflected the life of the collectors and sublimated their spiritual world truly and comprehensively.
引文
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[2]彭定求.全唐诗:第10册[Z].北京:中华书局,1960:3838.
[3]徐乾学.憺园集:第1412册[M]//续修四库全书.上海:上海古籍出版社,2002:409.
[4]王揖唐.今传是楼诗话[M].沈阳:辽宁教育出版社,2003:239-240.
[5]俞弁.逸老堂诗话[M]卷首《序》//丁福保.历代诗话续编.北京:中华书局,2001:1298.
[6]叶昌炽.藏书纪事诗[M].上海:上海古籍出版社,1999.
[7]吴则虞.续补藏书纪事诗[M].北京:国家图书馆出版社,2016.
[8]房玄龄.晋书[M]//卷三十六引卫恒《四体书势》.北京:中华书局,1974:1064.
[9]潘美月.宋代藏书家考[M].台北:学海出版社,1980:1.
[10]徐信符.广东藏书纪事诗稿[J].广大学报,1949(1):76.
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[12]丁申.武林藏书录[M]//澹生堂藏书约(外八种).上海:上海古籍出版社,2005:68.
[13]黄宗羲.天一阁藏书记[M]//李希泌,张椒华.中国古代藏书与近代图书馆史料(春秋至五四前后).北京:中华书局,1982:36.
[14]范凤书.私家藏书风景[M].石家庄:河北教育出版社,2007:183.
[15]李斗.扬州画舫录[M].北京:中华书局,2007:54.
[16]周绍明.书籍的社会史:中华帝国晚期的书籍与士人文化[M].何朝晖,译.北京:北京大学出版社,2009:1.
[17]胡应麟.少室山房笔丛[M].上海:上海古籍出版社,2001:52.
(1)(清)鲍廷博:《跋湛渊遗稿》附录何春渚《菘町小传》,《知不足斋丛书》第二十三集《湛渊遗稿》卷尾,上海古书流通处民国十年(1921)影印清乾隆嘉庆间刻本。
(1)原文载(清)全祖望:《鲒埼亭集》卷十一《梨洲先生神道碑文》,引自《黄宗羲全集》第12册,浙江古籍出版社2012年版,第13页。
(1)(清)吴翌凤:《跋玉壶清话》,《知不足斋丛书》第六集《玉壶清话》卷尾,上海古书流通处民国十年(1921)影印清乾隆嘉庆间刻本。
(1)参阅费君清:《〈南宋群贤小集〉汇集流传经过揭秘》,《绍兴文理学院学报》1999年第4期。
[2]彭定求.全唐诗:第10册[Z].北京:中华书局,1960:3838.
[3]徐乾学.憺园集:第1412册[M]//续修四库全书.上海:上海古籍出版社,2002:409.
[4]王揖唐.今传是楼诗话[M].沈阳:辽宁教育出版社,2003:239-240.
[5]俞弁.逸老堂诗话[M]卷首《序》//丁福保.历代诗话续编.北京:中华书局,2001:1298.
[6]叶昌炽.藏书纪事诗[M].上海:上海古籍出版社,1999.
[7]吴则虞.续补藏书纪事诗[M].北京:国家图书馆出版社,2016.
[8]房玄龄.晋书[M]//卷三十六引卫恒《四体书势》.北京:中华书局,1974:1064.
[9]潘美月.宋代藏书家考[M].台北:学海出版社,1980:1.
[10]徐信符.广东藏书纪事诗稿[J].广大学报,1949(1):76.
[11]黄廷鉴.第六弦溪文集:第2461册[M]//丛书集成初编.上海:商务印书馆,1936:36.
[12]丁申.武林藏书录[M]//澹生堂藏书约(外八种).上海:上海古籍出版社,2005:68.
[13]黄宗羲.天一阁藏书记[M]//李希泌,张椒华.中国古代藏书与近代图书馆史料(春秋至五四前后).北京:中华书局,1982:36.
[14]范凤书.私家藏书风景[M].石家庄:河北教育出版社,2007:183.
[15]李斗.扬州画舫录[M].北京:中华书局,2007:54.
[16]周绍明.书籍的社会史:中华帝国晚期的书籍与士人文化[M].何朝晖,译.北京:北京大学出版社,2009:1.
[17]胡应麟.少室山房笔丛[M].上海:上海古籍出版社,2001:52.
(1)(清)鲍廷博:《跋湛渊遗稿》附录何春渚《菘町小传》,《知不足斋丛书》第二十三集《湛渊遗稿》卷尾,上海古书流通处民国十年(1921)影印清乾隆嘉庆间刻本。
(1)原文载(清)全祖望:《鲒埼亭集》卷十一《梨洲先生神道碑文》,引自《黄宗羲全集》第12册,浙江古籍出版社2012年版,第13页。
(1)(清)吴翌凤:《跋玉壶清话》,《知不足斋丛书》第六集《玉壶清话》卷尾,上海古书流通处民国十年(1921)影印清乾隆嘉庆间刻本。
(1)参阅费君清:《〈南宋群贤小集〉汇集流传经过揭秘》,《绍兴文理学院学报》1999年第4期。