挖掘日常生活的神性——刘亮程创作论
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摘要
在刘亮程的系统创作中,存在将日常生活审美化的创作特征,而在日常生活中发现并发掘神性,则是刘亮程创作的主要特色。对神性的发现基于作家的日常生活经验与更具神话倾向的思维特征,而神性发掘则借助作家的创作实践,于文本中再创造一个审美化的现实世界。通过探讨日常之梦发掘时间的意义,通过对驴、坎土曼等俗世事物的表现展示由之延伸的神圣空间,乃至通过人对宗教的情感认知与实践活动来深刻描摹人性,日常生活中的神性面目得到全面地展示。刘亮程神性探寻书写的最终目的,是召唤一种自然的生命状态与生活态度,从而与现实生活中的驳杂、无聊隔离开来,最终实现一种更具艺术特性的、诗化的日常生活。
In Liu Liangcheng's systematic creation,there are creative features that make daily life aesthetic.Discovering and exploring the divinity in daily life is the main feature of Liu Liangcheng's creation.The discovery of divinity is based on the writer's daily life experience and thinking characteristics with more mythological tendencies;and the discovery of divinity,relying on specific written expressions,has created an aestheticized real world in the text.By discussing the meaning of time in daily dreams,expressing the sacred space through showing secular matters such as donkeys and Cantuman,and even depicting human nature deeply through people's emotional cognition and practical activities of religion,the divinity in daily life is fully displayed.The ultimate goal of Liu Liangcheng's divinity exploration writing is to call on a natural state of life and attitude toward life,so as to be independent from the confusion and boredom in real life,and ultimately realize a more artistic and poetic daily life.
In Liu Liangcheng's systematic creation,there are creative features that make daily life aesthetic.Discovering and exploring the divinity in daily life is the main feature of Liu Liangcheng's creation.The discovery of divinity is based on the writer's daily life experience and thinking characteristics with more mythological tendencies;and the discovery of divinity,relying on specific written expressions,has created an aestheticized real world in the text.By discussing the meaning of time in daily dreams,expressing the sacred space through showing secular matters such as donkeys and Cantuman,and even depicting human nature deeply through people's emotional cognition and practical activities of religion,the divinity in daily life is fully displayed.The ultimate goal of Liu Liangcheng's divinity exploration writing is to call on a natural state of life and attitude toward life,so as to be independent from the confusion and boredom in real life,and ultimately realize a more artistic and poetic daily life.
引文
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[2]张章.说文解字[M].北京:中国华侨出版社,2012:382.
[3]张载.张载集[M].北京:中华书局,1978:374.
[4]何英.刘亮程论[J].扬子江评论,2011(1):4-10.
[5]刘亮程.虚土[M].南昌:江西人民出版社,2017.
[6]刘悦笛.日常生活审美化与审美日常生活化———试论“生活美学”何以可能[J].哲学研究,2005(1):107-111.
[7]列维-布留尔.原始思维[M].丁由,译.北京:商务印书馆,2017.
[8]贺雄飞.乡村“哲学家”刘亮程[J].书屋,2001(5):78-79.
[9]明江,刘亮程.我的文字充满了新疆的气息[N].文艺报,2012-04-06(B5).
[10]刘亮程.在新疆[M].南昌:江西人民出版社,2017.
[11]傅修延.中国叙事学[M].北京:北京大学出版社,2015.
[12]刘亮程.凿空[M].杭州:浙江文艺出版社,2018.
[13]巫鸿.中国古代艺术与建筑中的“纪念碑性”[M].李清泉,译.上海:上海人民出版社,2017.
[14]刘亮程.捎话[J].山花,2018(4).
[15]马硕.小说仪式叙事研究[J].新疆师范大学学报(哲学社会科学版),2018(5).
[16]陈晓明.“凿空”西部的神秘———试论三位西部作家的“生活意识”[J].文艺争鸣,2012(12):50-58.
[17]洪治纲.论日常生活诗学的重构[J].文学评论,2018(4):132-141.