传统武术的多维角色演绎
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摘要
运用文献资料法、逻辑分析法等为研究方法,以文化符号为研究视角,从传统武术"能指"的身体以及武术身体"所指"的文化两个维度进行探讨与研究。传统武术中身体活动逐渐演变为文化符号是现代化进程发展的必然趋势,也是传统武术在当今社会参演多维角色综合作用的效果。以传统武术为载体,对其历史寻根展开考量与质疑,最终揭示其本质的建构。基于满足人类身体活动的条件下,不断结合技击性与实用性构成身体活动,并将身体记忆的时代整合逐渐衍生出文化符号进行研究。研究认为,通过对身体活动的重新部署使传统武术在审美文化的归属体现进行调适,并试图对文化认同的身体寻认进行角色清晰定位,最终在文化符号理论下对传统武术的多维角色进行深层次研究与探讨。
By using the methods of literature and logical analysis, and from the perspective of cultural symbols, this paper discusses and studies the two dimensions of the body of the traditional Wushu, namely, the body of the "signifier" and the "signified" of the body of the Wushu. The gradual evolution of physical activities into cultural symbols in traditional Wushu is an inevitable trend in the development of modernization, and is also the effect of the comprehensive role of traditional Wushu in performing multi-dimensional roles in today's society. Taking traditional Wushu as the carrier, this paper discusses and questions its historical roots-seeking, and finally reveals the construction of its essence. On the basis of satisfying the conditions of human physical activity, the combination of skill and practicality is constantly combined to form physical activity, and the body will be transformed into physical activity. The integration of the times of memory is gradually derived from the cultural symbols for research. The research holds that, through the redeployment of physical activities, the traditional Wushu can be adjusted in the embodiment of aesthetic culture, and the role of the body recognition of cultural identity can be clearly positioned. Finally, in the theory of cultural symbols, the multi-dimensional role of traditional Wushu is deeply studied and discussed.
By using the methods of literature and logical analysis, and from the perspective of cultural symbols, this paper discusses and studies the two dimensions of the body of the traditional Wushu, namely, the body of the "signifier" and the "signified" of the body of the Wushu. The gradual evolution of physical activities into cultural symbols in traditional Wushu is an inevitable trend in the development of modernization, and is also the effect of the comprehensive role of traditional Wushu in performing multi-dimensional roles in today's society. Taking traditional Wushu as the carrier, this paper discusses and questions its historical roots-seeking, and finally reveals the construction of its essence. On the basis of satisfying the conditions of human physical activity, the combination of skill and practicality is constantly combined to form physical activity, and the body will be transformed into physical activity. The integration of the times of memory is gradually derived from the cultural symbols for research. The research holds that, through the redeployment of physical activities, the traditional Wushu can be adjusted in the embodiment of aesthetic culture, and the role of the body recognition of cultural identity can be clearly positioned. Finally, in the theory of cultural symbols, the multi-dimensional role of traditional Wushu is deeply studied and discussed.
引文
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[2]朱君.论武术的本质与质变[J].体育科学,2013(01):84.
[3]陈嘉明.意识现象、所予性与本质直观—对胡塞尔现象学的有关质疑[J].中国社会科学,2012(11):43.
[4]冯聚才.文化符号与文化软实力[J].开封大学学报,2012(03):3.
[5]戴国斌.武术身体的文化[M].北京:人民体育出版社,2011.192.
[6]陈振勇,李斌.人类学视域下武术概念的重新审视[J].成都体育学院学报,2017(05):54.
[7]杨庆峰.物质身体、文化身体与技术身体——唐·伊德的“三个身体”理论之简析[J].上海大学学报(社会科学版),2007(01):12.
[8]俞鹏飞,周学荣.审美经验——杜威实用主义美学视域下的体育美学探析[J].体育科学,2016(05):85.
[9]张政文.德意志审美现代性话语的文化生态要素探究[J].中国社会科学,2012(11):24.
[10]高强.知觉、判断力与范例——从两种体育审美体验谈起[J].体育科学,2013(05):92.
[11]刘旸.论“中国梦”与大学生理想信念的树立——基于马斯洛需求层次理论的视角[J].湖北函授大学学报,2015(21):56.
[12]邱丕相.中国武术文化散论[M].上海:上海人民出版社,2007:121.
[13]涂可国.“文化中国”:内在意蕴与时代价值——兼与杜维明商榷[J].中国文化论衡,2017(01):289.
[14]王国志,张宗豪.解读中国军事武术[J].河北体育学院学报,2006(03):79.