哥特艺术风格在头饰设计中的运用
|
摘要
哥特风格作为重要的欧洲艺术风格之一,其独特的神秘风格与造型美学在服装配饰设计中得到了越来越多的体现;头饰作为服装配饰的一大亮点在近年来也受到更多的关注,并设计运用于各大秀场之中。归纳了哥特风格头饰设计重点,并以哥特式建筑为灵感进行头饰设计,详述了其设计思路和创新点。
Gothic style,as one of the important European art styles,its unique mysterious style and styling aesthetics have been more and more reflected in clothing accessories design.As a highlight in the clothing accessories,the headwear has received more attention in recent years.It was designed and applied to the major fashion shows.The key points of Gothic style headwear design were summarized.Headwear was designed with Gothic architecture as inspiration.The design ideas and innovations were explained.
Gothic style,as one of the important European art styles,its unique mysterious style and styling aesthetics have been more and more reflected in clothing accessories design.As a highlight in the clothing accessories,the headwear has received more attention in recent years.It was designed and applied to the major fashion shows.The key points of Gothic style headwear design were summarized.Headwear was designed with Gothic architecture as inspiration.The design ideas and innovations were explained.
引文
[1]白天佑.当代哥特艺术设计的风格和价值意义[J].美与时代(上),2010,(2):28-30.
[2]肖素萍.浅析服装设计中哥特风格艺术的运用[J].包装世界,2015,(6):40-41.
[3]朱琴.概念头饰的本质及其价值[J].装饰,2015,(3):96-97.
[4]董春方,葛斌.现代建筑的时装化倾向及其影响[J].世界建筑,2011,(4):112-115.
[5]陈渊峰.论哥特式建筑对哥特式服装的影响[J].浙江纺织服装职业技术学院学报,2007,6(1):32-36.
[6]郑辉,潘力.服装配饰设计[M].沈阳:辽宁科学技术出版社,2009.
[2]肖素萍.浅析服装设计中哥特风格艺术的运用[J].包装世界,2015,(6):40-41.
[3]朱琴.概念头饰的本质及其价值[J].装饰,2015,(3):96-97.
[4]董春方,葛斌.现代建筑的时装化倾向及其影响[J].世界建筑,2011,(4):112-115.
[5]陈渊峰.论哥特式建筑对哥特式服装的影响[J].浙江纺织服装职业技术学院学报,2007,6(1):32-36.
[6]郑辉,潘力.服装配饰设计[M].沈阳:辽宁科学技术出版社,2009.