《玩偶之家》的女权主义解读
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摘要
《玩偶之家》作为一部开启近代戏剧时代的代表作品,在戏剧文学史上无疑意义巨大,它提出了女权主义问题,表现了当时社会中女性意识的萌芽。通过对女权主义概念的解读,进入作品,从"娜拉"对丈夫、家庭的依附,到认清现实实现觉醒直至最后的出走3个阶段详细分析了剧本中的女权主义思想,以加深对这部剧女权主义的理解。
A Doll's House as a representative work opening the era of modern drama,it is of great significance in the history of dramatic literature. It puts forward the problem of feminism and shows the bud of women's consciousness in the society at that time.Through interpreting the concept of feminism of the works,the feminist ideas in the script was analyzed in detail from depending on her husband and family,recognizeing the reality,and awakening.,All these deepen our understanding of the feminism.
A Doll's House as a representative work opening the era of modern drama,it is of great significance in the history of dramatic literature. It puts forward the problem of feminism and shows the bud of women's consciousness in the society at that time.Through interpreting the concept of feminism of the works,the feminist ideas in the script was analyzed in detail from depending on her husband and family,recognizeing the reality,and awakening.,All these deepen our understanding of the feminism.
引文
[1]周姿利.西方十九世纪末二十世纪初女性地位研究:以《玩偶之家》为例[J].海外英语,2017(4):177-179.
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[3]潘海英,丁丽蓉.西方女权主义视域下桐华的作品[J].文艺争鸣,2015(5):174-178.
[4]LUO T,XIE P.Eco-feminism and literary criticism[Z].Exploring,2004:1212-1213.
[5]WANG N.The occidental ecological literature[Z].2003:89-90.
[6]TAO Y.Humanity and moral duty in christianity,confucianism and taoism:the comparative view by james legge[A]//中国英汉语比较研究会第11次全国学术研讨会暨2014年英汉语比较与翻译研究国际研讨会摘要集,2014:342-343.
[7]ZUO X,WANG L M.The analysis of non-english major students'knowledge acqusition in different courses[A]//Management Science and Engineering(MSE 2011 V2),2011:2341-2342.
[8]白碧伟.《玩偶之家》中娜拉的形象分析[J].课外语文,2017(4):101-102.
[9]金莉.生态女权主义[J].外国文学,2004(9):12-13.
[10]韩广义.西方生态女性主义及其在中国的译介[J].小说评论,2012(S2):169-171.
[11]丁丽蓉,张广林.“玩偶”的误读:从娜拉出走到裘山山笔下女性的多元化选择[J].学习与探索,2012(6):138-140.
[12]满迪.《玩偶之家》中诺拉和《皮格玛利翁》中伊丽莎白的角色比较研究[J].语文学刊,2016(3):25-27.
[13]丁丽蓉,张广林.“玩偶”的误读:从娜拉出走到裘山山笔下女性的多元化选择[J].学习与探索,2012(6):138-140.
[14]宋雪莹.应恨此身非吾有:对娜拉“出走”和“玩偶”一词的重新思考[J].大众文艺,2016(6):25-26.
[15]张敏.现代女性价值观下对《玩偶之家》的解读[J].安徽文学,2010(36):135-136.
[2]LIN D J.Women's status in the patriarchal society:an analysis of a doll's house.[Z].Wits,2008:99-100.
[3]潘海英,丁丽蓉.西方女权主义视域下桐华的作品[J].文艺争鸣,2015(5):174-178.
[4]LUO T,XIE P.Eco-feminism and literary criticism[Z].Exploring,2004:1212-1213.
[5]WANG N.The occidental ecological literature[Z].2003:89-90.
[6]TAO Y.Humanity and moral duty in christianity,confucianism and taoism:the comparative view by james legge[A]//中国英汉语比较研究会第11次全国学术研讨会暨2014年英汉语比较与翻译研究国际研讨会摘要集,2014:342-343.
[7]ZUO X,WANG L M.The analysis of non-english major students'knowledge acqusition in different courses[A]//Management Science and Engineering(MSE 2011 V2),2011:2341-2342.
[8]白碧伟.《玩偶之家》中娜拉的形象分析[J].课外语文,2017(4):101-102.
[9]金莉.生态女权主义[J].外国文学,2004(9):12-13.
[10]韩广义.西方生态女性主义及其在中国的译介[J].小说评论,2012(S2):169-171.
[11]丁丽蓉,张广林.“玩偶”的误读:从娜拉出走到裘山山笔下女性的多元化选择[J].学习与探索,2012(6):138-140.
[12]满迪.《玩偶之家》中诺拉和《皮格玛利翁》中伊丽莎白的角色比较研究[J].语文学刊,2016(3):25-27.
[13]丁丽蓉,张广林.“玩偶”的误读:从娜拉出走到裘山山笔下女性的多元化选择[J].学习与探索,2012(6):138-140.
[14]宋雪莹.应恨此身非吾有:对娜拉“出走”和“玩偶”一词的重新思考[J].大众文艺,2016(6):25-26.
[15]张敏.现代女性价值观下对《玩偶之家》的解读[J].安徽文学,2010(36):135-136.