重构地表 上海油罐艺术中心
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摘要
在OPEN建筑事务所的实践中,地表始终扮演着一个重要的角色。在新近开幕的上海油罐艺术中心中,一个"Z"字形的"超级表面"将原服务于上海龙华机场的5个独立航油罐连接起来,形成了一座开放的城市公园和一个艺术机构的并置。通过回溯这一历时6年的项目设计历程,文章试图从关于城市地表的理论话语和OPEN的实践经历两条线索,对这一项目展开论述。它既标志着OPEN长期以来对城市公共性和空间开放性的追求,也就如何更高品质地维持这一公共性提出了新的挑战。
Ground has always played a key role in the practice of OPEN Architecture.Its recently-completed project Tank Shanghai Art Center proposes a Z-shaped super-surface to connect five individual oil tanks which previously served Shanghai Longhua Airport.As such,the project creates an open urban park in addition to the required art center.By tracing the six-year design process,the essay attempts to discuss the project through two threads:theoretical discourses on the urban ground as well as the role of ground in OPEN Architecture's practice.While the project marks the office's long-term pursuit of urban publicness and spatial openness,it also poses new challenges in how to better maintain the high quality of public space.
Ground has always played a key role in the practice of OPEN Architecture.Its recently-completed project Tank Shanghai Art Center proposes a Z-shaped super-surface to connect five individual oil tanks which previously served Shanghai Longhua Airport.As such,the project creates an open urban park in addition to the required art center.By tracing the six-year design process,the essay attempts to discuss the project through two threads:theoretical discourses on the urban ground as well as the role of ground in OPEN Architecture's practice.While the project marks the office's long-term pursuit of urban publicness and spatial openness,it also poses new challenges in how to better maintain the high quality of public space.
引文
[1]Stan Allen,Marc Mc Quade.Landform Building:Architecture's New Terrain[M].Munich:Schirmer/Mosel,2011.
[2]城市笔记人,李虎,黄文菁.伸向地.与天空[J].建筑师.2015(01):25-42.
[3]勒柯布西耶.柯布西耶:直角之诗[M].秦三澍.译.长沙:浦睿文化·湖南文艺出版.2019.
[4]莱昂·巴蒂斯塔·阿尔伯蒂.建筑论:阿尔伯蒂建筑十书[M].王贵祥.译.北京:中国建筑工业出版社.2010.
[5]David Leatherbarrow.Uncommon Ground:Architecture,Technology,and Topography[M].Cambridge:The MIT Press.2000:25-27.
[6]Kenneth Frampton.Megaform as Urban Landscape:1999 Raoul Wallenberg Lecture[M].Michigan:The University of Michigan A,Alfred Taubman College of Architecture+Urban Planning,1999.
[7]Kenneth Frampton.The School as Social Condenser[M]//Li Hu,Huang Wenjing.Towards Openess.New York:Applied Research and Design Publishing,2017:3.
[8]黄居正.消隐的“盒子”——解读秦皇岛歌华营地体验中心[J].世界建筑.2014(08):92-93.
[9]欧阳杰.上海龙华机场近代航空站的建筑形制研究[J].建筑史,2018(02):201-210.
[10]余金鑫.上海西岸油罐艺术中心加固改造设计[J].工程抗震与加固改造,2018,40(06):125-132.
[11]周榕.“问题事务所”OPEN的“问“与“题”[J].城市环境设计.2018(05):16-18.
[12]李虎,黄文菁.应力[M].北京:中国建筑工业出版社,2015:56-61.
(1)对OPEN建筑作品的评述往往会将其与现代主义建筑的传统相比较.譬如青锋的评论文章《依然蜿蜒——歌华营地体验中心与现代主义传统》和《体制内的变革者:北京四中房山校区设计》。一方面.OPEN的两位主持建筑师深受柯布西耶的影响,另一方面,在现代主义的经典形式语言之外,诸如公共性、机构重塑、开放城市等OPEN所关注的议题也呼应着现代主义建筑的社会议程。
(2)地形建筑的概念来源于斯坦艾伦于2011年出版的同名著作。在其中,他试图重新梳理现代与当代建筑发展中的另一条线索。
[2]城市笔记人,李虎,黄文菁.伸向地.与天空[J].建筑师.2015(01):25-42.
[3]勒柯布西耶.柯布西耶:直角之诗[M].秦三澍.译.长沙:浦睿文化·湖南文艺出版.2019.
[4]莱昂·巴蒂斯塔·阿尔伯蒂.建筑论:阿尔伯蒂建筑十书[M].王贵祥.译.北京:中国建筑工业出版社.2010.
[5]David Leatherbarrow.Uncommon Ground:Architecture,Technology,and Topography[M].Cambridge:The MIT Press.2000:25-27.
[6]Kenneth Frampton.Megaform as Urban Landscape:1999 Raoul Wallenberg Lecture[M].Michigan:The University of Michigan A,Alfred Taubman College of Architecture+Urban Planning,1999.
[7]Kenneth Frampton.The School as Social Condenser[M]//Li Hu,Huang Wenjing.Towards Openess.New York:Applied Research and Design Publishing,2017:3.
[8]黄居正.消隐的“盒子”——解读秦皇岛歌华营地体验中心[J].世界建筑.2014(08):92-93.
[9]欧阳杰.上海龙华机场近代航空站的建筑形制研究[J].建筑史,2018(02):201-210.
[10]余金鑫.上海西岸油罐艺术中心加固改造设计[J].工程抗震与加固改造,2018,40(06):125-132.
[11]周榕.“问题事务所”OPEN的“问“与“题”[J].城市环境设计.2018(05):16-18.
[12]李虎,黄文菁.应力[M].北京:中国建筑工业出版社,2015:56-61.
(1)对OPEN建筑作品的评述往往会将其与现代主义建筑的传统相比较.譬如青锋的评论文章《依然蜿蜒——歌华营地体验中心与现代主义传统》和《体制内的变革者:北京四中房山校区设计》。一方面.OPEN的两位主持建筑师深受柯布西耶的影响,另一方面,在现代主义的经典形式语言之外,诸如公共性、机构重塑、开放城市等OPEN所关注的议题也呼应着现代主义建筑的社会议程。
(2)地形建筑的概念来源于斯坦艾伦于2011年出版的同名著作。在其中,他试图重新梳理现代与当代建筑发展中的另一条线索。