孔孚山水诗的现代生命意识
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摘要
孔孚是第一个意识到新诗中山水诗与传统"断线"的诗人,并将为山水诗"接线"作为自己的使命。孔孚的诗中,山水具有了本体的意义,山水回归了自己的本来面目,有自己的"喜怒哀乐",具自然本身之灵趣。但是,作为一位现代的诗人,孔孚的山水诗还是表现了现代生命意识,而与传统的山水诗同中有异。在孔孚的诗中,作者不仅把自己的人生体验、思想感情融入自然景物中,让自然在展现自己的情貌时打上诗人情感的印记;而且,诗人在抒写自然本身的灵趣时重在展现自然所比拟的种种生命情态,万千的自然面貌显现出生命的千姿百态;更进一步的,是诗人将自己对生命的形而上的思考熔铸在自然里,特定的自然形象又映现了现代形而上生命及存在的奥秘。
Kong Fu was the first poet,realizing the landscape poetry in the new poetry was disconnectedwiththe tradition,who ever connected the landscape poetry with the tradition. In Kong Fu's poems,landscapes have the meaning of ontology,i.e. landscapes return to their true colors,landscapes have their own " happiness and sorrow",and landscapes are naturally interesting. However,as a modern poet,Kong Fu ' s landscape poetry still shows his consciousness of modern life,which is different from the traditional landscape poetry. In the poems of Kong Fu,the author not only integrates his own life experiences,thoughts and feelings into the natural scenery,but let the Nature leave marks of the poet's emotions. Moreover,the poet,while expressing the spiritual interest of the Nature itself,focuses on the various life forms that the Nature has demonstrated,so many natural features show the variety of life. Furthermore,the poet cast his metaphysical thinking about life in Nature and the specific natural images reflected the modern metaphysical life and the mystery of existence.
Kong Fu was the first poet,realizing the landscape poetry in the new poetry was disconnectedwiththe tradition,who ever connected the landscape poetry with the tradition. In Kong Fu's poems,landscapes have the meaning of ontology,i.e. landscapes return to their true colors,landscapes have their own " happiness and sorrow",and landscapes are naturally interesting. However,as a modern poet,Kong Fu ' s landscape poetry still shows his consciousness of modern life,which is different from the traditional landscape poetry. In the poems of Kong Fu,the author not only integrates his own life experiences,thoughts and feelings into the natural scenery,but let the Nature leave marks of the poet's emotions. Moreover,the poet,while expressing the spiritual interest of the Nature itself,focuses on the various life forms that the Nature has demonstrated,so many natural features show the variety of life. Furthermore,the poet cast his metaphysical thinking about life in Nature and the specific natural images reflected the modern metaphysical life and the mystery of existence.
引文
[1]孔孚.几个诗的问题[M]∥孔孚集.北京:中国社会科学出版社,1996:492.
[2]孔孚.灯下话蝶,及青虫[M]∥孔孚集.北京:中国社会科学出版社,1996:436.
[3]孔孚.谈提炼[M]∥孔孚集.北京:中国社会科学出版社,1996:451.
[4]孔孚.复王尔碑[M].孔孚集.北京:中国社会科学出版社,1996:468.
[5]吕家乡.孔孚山水诗的两种审美心态[G]∥冯中一.孔孚山水诗研究论集.济南:山东文艺出版社,1991:248.
[6]冯中一.孔孚山水诗的“空”“妙”[G]∥冯中一.孔孚山水诗研究论集.济南:山东文艺出版社,1991:39.
[7]孔孚.孔孚集[M].北京:中国社会科学出版社,1996:128.
[8]王邵军.孔孚,领受天启的诗人[G]∥冯中一.孔孚山水诗研究论集.济南:山东文艺出版社,1991.
(1)本文所引用的孔孚的诗作均出自《孔孚集》,中国社会科学版社,1996年出版。
[2]孔孚.灯下话蝶,及青虫[M]∥孔孚集.北京:中国社会科学出版社,1996:436.
[3]孔孚.谈提炼[M]∥孔孚集.北京:中国社会科学出版社,1996:451.
[4]孔孚.复王尔碑[M].孔孚集.北京:中国社会科学出版社,1996:468.
[5]吕家乡.孔孚山水诗的两种审美心态[G]∥冯中一.孔孚山水诗研究论集.济南:山东文艺出版社,1991:248.
[6]冯中一.孔孚山水诗的“空”“妙”[G]∥冯中一.孔孚山水诗研究论集.济南:山东文艺出版社,1991:39.
[7]孔孚.孔孚集[M].北京:中国社会科学出版社,1996:128.
[8]王邵军.孔孚,领受天启的诗人[G]∥冯中一.孔孚山水诗研究论集.济南:山东文艺出版社,1991.
(1)本文所引用的孔孚的诗作均出自《孔孚集》,中国社会科学版社,1996年出版。