摘要
纵观西方美学史,暴力美学的问题一直是非常重要的课题。本文结合美学史三个时期,即本体论时期,认识论时期与语言论时期不同阶段的特征,讨论暴力美学的内在理路与其重要意义。
Throughout the history of western aesthetics, the issue of violent aesthetics has been a very important topic. Based on the characteristics of three periods in the history of aesthetics, namely, ontology, epistemology and language, this paper discusses the internal rational path and its significance of the aesthetics of violence.
引文
[1]成卓华.暴力美学在当代的文化背景下的审美接受[J].才智,2012(28):217.
[2]张坤,古风.当代审美文化视野中暴力现象的学理分析[J].前沿,2012(24):16-19.
[3]徐法超.日常生活的审美化与“审美暴力”[J].肇庆学院学报,2012,33(4):11-16+32.