摘要
宫怨诗易与宫体诗混淆。比较研究发现,宫怨诗兴盛于唐代,创作群体广泛,创作时间跨度长,注重以抒情笔调描写宫人心态,在反映宫人痛苦生活的同时也反思自己的仕途人生;宫体诗流行于齐梁后期,创作群体相对狭窄,创作时间跨度较短,侧重对女性容貌体态的细致刻画与声律等形式美的追求。
Palace resentment poetry had been a traditional subject of classical poetry and can easily be confused with palace-beauty poetry. A comparative study reveals that palace resentment poetry,flourishing in the Tang Dynasty,involving a large number of poets and covering a long span of time,focused on the mentality of palace ladies in a lyrical manner. Such poems reflected the misery of the palace ladies and the poets' worry about their career in the officialdom. Palace- beauty poetry became popular during the Qi and Liang periods,pursued by a rather limited number of poets and covering a relatively short period. Palace- beauty poems are characterized by meticulous depiction of palace beauties' looks and deportment and the capturing of musical rhythms.
引文
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