CEPA以来银都机构:内地与香港电影合拍的中坚推手与把关人
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  • 英文篇名:The Sil-Metropole Organization since CEPA: The Backborn and Gatekeeper of Mainland and Hong Kong Film Co-production
  • 作者:张燕
  • 英文作者:Zhang Yan;
  • 关键词:CEPA ; 银都机构 ; 产业引领 ; 香港合拍片
  • 英文关键词:CEPA;;Sil-Metropolo Organization;;industry guidance;;Hong Kong co-produced film
  • 中文刊名:NJSD
  • 英文刊名:Journal of School of Chinese Language and Culture Nanjing Normal University
  • 机构:北京师范大学艺术与传媒学院;
  • 出版日期:2019-03-26
  • 出版单位:南京师范大学文学院学报
  • 年:2019
  • 期:No.93
  • 语种:中文;
  • 页:NJSD201901020
  • 页数:8
  • CN:01
  • ISSN:32-1551/I
  • 分类号:159-166
摘要
银都机构是一家性质特殊、历史久远的香港电影公司,改革开放以来有效整合了香港左派进步电影力量。在香港与内地合拍片日趋繁荣的进程中,原有自然景观及合拍先行引领的独家优势日渐削弱。CEPA实施以来,银都机构在阵痛中转型,转变为"两地电影合拍的中坚推手与把关人",找到了新时代境遇下产业引领、优质创作、文化融合的发展新路径。
        Sil-Metropole Organization is a Hong Kong film company with a special nature and a long history. Since the reform and opening up,it has effectively integrated the left progressive film force in Hong Kong. In the process of the booming co-production between Hong Kong and the mainland,the original natural landscape and the exclusive advantage of co-production leading the way are gradually weakened. Since the implementation of CEPA,in the throes of transition,Sil-Metropole Organization has been transformed into"the key promoter and gatekeeper of co-production between the two places",which has found a new development path for industry guidance,high-quality creation and cultural integration under the new circumstances.
引文
[1]石铭.电影·企业·多元化:访傅奇谈长城[J].中外影画,1981(12).
    [2]宋岱,康宁.整装待发重新启航———宋岱访谈录[J].当代电影,2011(1).
    [3]麦兆辉.“银都”六十感怀[J].当代电影,2011(1).
    [4]朗天.香港有我:主体性与香港电影[M].香港,香港文化工房,2013.
    [5]朱天文,阿城,侯孝贤等.刺客聂隐娘[J].当代电影,2015(10).
    [6]陈志华. 2012香港电影回顾[C].香港:香港电影评论学会,2013.
    (1)资料来源:香港电影金像奖官网,作者整理并制表。

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