理性之思辨与平和之文风:晓风小说风格论
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摘要
晓风小说的高校叙事,与他作家、学者和管理者三位一体的身份与经历密切相关。他不仅因此积累了小说的诸多素材,也深刻影响了叙事中关于世俗人生与大学之道的理性思辨;对现实主义的坚守又使他以节制的笔触塑造了高校知识分子群像,形成了小说平和的文风,"理性""平和"是"学者小说"的两个重要特征。
Narration about scholars in colleges and universities in Xiaofeng's novels is closely related to his identity and experience as a writer, scholar and administrator. He not only accumulated abundant material for the writings, but also profoundly influenced the rational thinking about the secular life and the scholarly spirit. Sticking to realism and with temperate brushstrokes, his novels form a group image of university intellectuals, and present the peaceful style of writing, one of the two important features of "novels on scholars"(the other being rationality).
Narration about scholars in colleges and universities in Xiaofeng's novels is closely related to his identity and experience as a writer, scholar and administrator. He not only accumulated abundant material for the writings, but also profoundly influenced the rational thinking about the secular life and the scholarly spirit. Sticking to realism and with temperate brushstrokes, his novels form a group image of university intellectuals, and present the peaceful style of writing, one of the two important features of "novels on scholars"(the other being rationality).
引文
[1] 晓风.静水:后记[M].杭州:浙江文艺出版社,2017:360.
[2] 晓风.弦歌:后记[M].杭州:浙江文艺出版社,2014:317.
[3] 晓风.招生[M]//晓风.静水.杭州:浙江文艺出版社,2017:81,85,102,107.
[4] 晓风.第三种人[M]// 晓风.弦歌.杭州:浙江文艺出版社,2014:313.
[5] 莫砺锋.“教授写教授”的小说[N].中华读书报,2017-2-22(3).
[6] 晓风.回归[M].北京:作家出版社,2018:354,72,59.
[7] 晓风.青葱岁月的苔迹:后记[M].杭州:浙江大学出版社,2018:326.
[8] 晓风.开局[M]//晓风.弦歌.杭州:浙江文艺出版社,2014:41.
[9] 晓风.发票[M]//晓风.儒风.杭州:浙江文艺出版社,2016:233.
[10] 晓风.事故[M]//晓风.静水.杭州:浙江文艺出版社,2017:285.
[11] 晓风.岗位[M]//晓风.弦歌.杭州:浙江文艺出版社,2014:131.
[12] 王姝.晓风(肖瑞峰)长篇小说《回归》研讨会在京举行[N].浙江工业大学报,2018-11-15(1).
[13] 王富仁.他摸到了学院学者文学家的脉搏——读于慈江著《杨绛,走在小说边上》[J].博览群书,2015(1): 97-101.
[14] 戴维·洛奇.小说的艺术[M].王峻岩,译.北京:作家出版社,1998:114.
(1)韩经太2018年10月28日在北京召开的“晓风长篇小说《回归》的思想与艺术”研讨会上的发言。
[2] 晓风.弦歌:后记[M].杭州:浙江文艺出版社,2014:317.
[3] 晓风.招生[M]//晓风.静水.杭州:浙江文艺出版社,2017:81,85,102,107.
[4] 晓风.第三种人[M]// 晓风.弦歌.杭州:浙江文艺出版社,2014:313.
[5] 莫砺锋.“教授写教授”的小说[N].中华读书报,2017-2-22(3).
[6] 晓风.回归[M].北京:作家出版社,2018:354,72,59.
[7] 晓风.青葱岁月的苔迹:后记[M].杭州:浙江大学出版社,2018:326.
[8] 晓风.开局[M]//晓风.弦歌.杭州:浙江文艺出版社,2014:41.
[9] 晓风.发票[M]//晓风.儒风.杭州:浙江文艺出版社,2016:233.
[10] 晓风.事故[M]//晓风.静水.杭州:浙江文艺出版社,2017:285.
[11] 晓风.岗位[M]//晓风.弦歌.杭州:浙江文艺出版社,2014:131.
[12] 王姝.晓风(肖瑞峰)长篇小说《回归》研讨会在京举行[N].浙江工业大学报,2018-11-15(1).
[13] 王富仁.他摸到了学院学者文学家的脉搏——读于慈江著《杨绛,走在小说边上》[J].博览群书,2015(1): 97-101.
[14] 戴维·洛奇.小说的艺术[M].王峻岩,译.北京:作家出版社,1998:114.
(1)韩经太2018年10月28日在北京召开的“晓风长篇小说《回归》的思想与艺术”研讨会上的发言。