论贞观君臣的文学观念及创作对唐诗的影响
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摘要
在唐初贞观时期的文学活动中,唐太宗君臣提倡融合南北诗风的贞刚之气和雅正的文学观念。由于文学创作群体所处的社会环境和自身经历的不同,贞观君臣的诗歌创作多数是咏物和奉和应制诗,大大削弱了诗歌的文学功能。总体来说,贞观时期君臣的文学观念和创作为盛唐诗歌的到来作出了自己的贡献。
In the literary activities of Zhenguan period in the early Tang Dynasty, Emperor Tang Taizong's monarch and ministers advocated the fusion of the northern faithful and forthright poetic style and the literary concept of elegance of the southern style. Due to the different social environment and their own experience in the literary creation group, the poetic creation of Zhenguan monarch and his ministers is mostly chanting things and serving poems, which greatly weakens the literary function of the poetry. Overall, the literary ideas and creations of Zhenguan period make its own contribution to the arrival of poetry in the prosperous Tang Dynasty.
In the literary activities of Zhenguan period in the early Tang Dynasty, Emperor Tang Taizong's monarch and ministers advocated the fusion of the northern faithful and forthright poetic style and the literary concept of elegance of the southern style. Due to the different social environment and their own experience in the literary creation group, the poetic creation of Zhenguan monarch and his ministers is mostly chanting things and serving poems, which greatly weakens the literary function of the poetry. Overall, the literary ideas and creations of Zhenguan period make its own contribution to the arrival of poetry in the prosperous Tang Dynasty.
引文
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[5]尚定.走向盛唐[M].北京:中国社会科学出版社,1994:113.
[2]罗宗强.隋唐五代文学思想史[M].北京:中华书局,2003:78.
[3]葛晓音.汉唐文学的嬗变[M].北京:北京大学出版社,1990:56.
[4]许总.唐诗史[M].南京:江苏教育出版社,1994:201.
[5]尚定.走向盛唐[M].北京:中国社会科学出版社,1994:113.