摘要
20世纪20年代初期,被寄予厚望的以"美育代宗教"的新民改良运动,曾经推动了西方现代艺术在中国的第一次发展。由林凤眠等老一辈艺术家引入的新观念和表现形式,开启了中国现代艺术的进程。林凤眠先生一生致力于"架设一座沟通东西文化的艺术桥梁",探索欧洲社会以理性思辨为特征的艺术"现代性",与中国艺术传统结合后可能具有的新的艺术表现形式,以及重视理性的现代艺术观念对当时的社会改良带来了促进作用。他的艺术历程,反映出中国早期现代艺术发展的特点,也同时成为中国现代社会实践在艺术文化领域的回响。
In the early 20th century, the new people's reform movement with high hopes of "beautification and religion" has promoted the first development of Western modern art in China. Including post-impressionism, Fauvism, expressionism and other modern art concepts, after the introduction of the old generation of artists such as Lin Fengmian, the educational research and creative commentary system was initially established in some institutions. It brought new ideas and expressions to the development of the sultry traditional art at that time. Promote the development of modern art in China. Mr. Lin Fengmian devoted his life to "building an artistic bridge that communicates Eastern and Western cultures" and explored the "modernity" of art characterized by rational speculation in European society. It may have new artistic expressions after being combined with Chinese artistic traditions. And the promotion of rational modern art concepts to the social improvement of the time. His artistic history reflects the characteristics of the development of modern Chinese art in the early days, and at the same time it has become the echo of the practice of modern Chinese society in the field of art and culture.
引文
[1]刘世敏.中国现代美术教育和现代绘画的奠基人[M].天津:百花文艺出版社,2011.
[2]许江.西湖论艺:林风眠及其同事艺术文集[M].杭州:中国美术学院出版社,1999.
[3]徐复观.中国艺术精神[M].台北:台湾学生书局,1966.
[4]王震.徐悲鸿年谱长编[M].上海:上海画报出版社,2006.
[5](美)H·W詹森.詹森艺术史[M].北京:世界图书出版公司,2013.