理学美学视野下闽北园林意蕴探析——以武夷山市下梅村古民居宅园小樊川为例
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摘要
下梅村邹氏宅园小樊川是清乾隆年间闽北地区建造的古民居附属园林。宅园面积虽小,园内鱼池、小亭等景观和花草树木等绿植能因地制宜的布局布景,在意境上体现了理学美学中追求感悟道情、浑然天成的意蕴。通过艺术布局、审美意境、感悟道情和内在超越四个方面,从其形式与内容为切入点探析闽北古民居宅园设计中所蕴含的理学美学,说明理学美学对明清园林设计的深远影响。
Xiaofanchuan, Zou's residence garden in Xiamei Village, is an ancillary garden of ancient dwellings built in northern Fujian during the reign of Qianlong in Qing Dynasty. The garden area is rather small, and the fish pond, small pavilions and other landscapes,flowers, trees and other green plants are in accordance with local layout with the implication of Neo-Confucianism aesthetics of natural enlightenment of Tao and feelings as the pursuit of artistic conception.Through the four aspects of artistic layout, aesthetic mood, sentiment and inner transcendence, this paper explores the Neo-Confucian aesthetics in the design of ancient residential gardens in northern Fujian from its form and content, and illustrates the far-reaching influence of Neo-Confucian aesthetics on landscape design in Ming and Qing Dynasties.
Xiaofanchuan, Zou's residence garden in Xiamei Village, is an ancillary garden of ancient dwellings built in northern Fujian during the reign of Qianlong in Qing Dynasty. The garden area is rather small, and the fish pond, small pavilions and other landscapes,flowers, trees and other green plants are in accordance with local layout with the implication of Neo-Confucianism aesthetics of natural enlightenment of Tao and feelings as the pursuit of artistic conception.Through the four aspects of artistic layout, aesthetic mood, sentiment and inner transcendence, this paper explores the Neo-Confucian aesthetics in the design of ancient residential gardens in northern Fujian from its form and content, and illustrates the far-reaching influence of Neo-Confucian aesthetics on landscape design in Ming and Qing Dynasties.
引文
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