推光漆技艺在漆木家具设计中的模块化应用研究
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摘要
山西省平遥县作为我国重要的漆器传承城镇之一,以推光漆髹饰技艺而闻名。本文以平遥推光漆漆木家具作为研究基础,将其髹饰技艺与模块化设计理念相结合,通过对推光漆髹饰技艺在漆木家具中的现行神态以及推光漆家具髹饰技艺模块化的存在价值进行研究,进而总结推光漆技艺在漆木家具中的模块化设计原则。此外,以漆木椅类家具为例,通过分析家具结构特点并将其与推光漆髹饰技艺的具体特点相结合来更好地体现推光漆技艺在漆木家具设计中的模块化应用。
The Pingyao County, Shanxi Province, as one of the important lacquerware towns in China, is famous for its polishing lacquer decoration techniques. Based on Pingyao polishing lacquer wood furniture, this paper combines the technology of decoration with the concept of modular design. By studying the current appearance of polishing lacquer in lacquer wood furniture and the value of polishing lacquer technology's modularization in lacquer wood furniture, it summarizes the principle of modular design of polishing lacquer technology in lacquer wood furniture. In addition, taking lacquer wood chair furniture as an example, by analyzing the structural characteristics of furniture and combining it with the specific characteristics of polishing lacquer decoration technology, the modular application of polishing lacquer technology in lacquer wood furniture design can be better reflected.
The Pingyao County, Shanxi Province, as one of the important lacquerware towns in China, is famous for its polishing lacquer decoration techniques. Based on Pingyao polishing lacquer wood furniture, this paper combines the technology of decoration with the concept of modular design. By studying the current appearance of polishing lacquer in lacquer wood furniture and the value of polishing lacquer technology's modularization in lacquer wood furniture, it summarizes the principle of modular design of polishing lacquer technology in lacquer wood furniture. In addition, taking lacquer wood chair furniture as an example, by analyzing the structural characteristics of furniture and combining it with the specific characteristics of polishing lacquer decoration technology, the modular application of polishing lacquer technology in lacquer wood furniture design can be better reflected.
引文
[1]武原春.平遥推光漆器的传承模式变迁[D].山西师范大学,2017.
[2]张锦.漫谈平遥漆器[M].太原:山西经济出版社,2013.
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[5]武原春.平遥推光漆器的传承模式变迁[D].山西师范大学,2017.
[6]康延.平遥漆器产业现状研究[D].北京服装学院,2012.
[7]李玉娟,于伸.现代漆艺家具的发展与展望[J].家具与室内装饰,2009(10):64-65.
[8]赵畅,黄艳辉,张帆.大漆在家具中的运用研究[J].家具与室内装饰,2016(10):14-15.
[9]桑瑞娟,吴智慧,陈于书.传统漆艺在现代家具中的传承与应用[J].家具与室内装饰,2011(07):16-17.
[10]张燕.漆艺家具装饰模块化设计研究[D].南京林业大学,2011.
[11]陈彦.山西传统民间家具造型与装饰研究[D].北京林业大学,2006.
[12]范素琴.天然漆漆木家具的当代性研究[D].太原理工大学,2015.
[13]崔蒙蒙,吴智慧.家具烫蜡技艺的研究与发展现状分析[J].林产工业,2017,44(02):3-6.
[2]张锦.漫谈平遥漆器[M].太原:山西经济出版社,2013.
[3]冯静.平遥漆器图案探究[J].包装世界,2010(04):100-101.
[4]王琥.漆艺概要[M].江苏美术出版社,1999:1.
[5]武原春.平遥推光漆器的传承模式变迁[D].山西师范大学,2017.
[6]康延.平遥漆器产业现状研究[D].北京服装学院,2012.
[7]李玉娟,于伸.现代漆艺家具的发展与展望[J].家具与室内装饰,2009(10):64-65.
[8]赵畅,黄艳辉,张帆.大漆在家具中的运用研究[J].家具与室内装饰,2016(10):14-15.
[9]桑瑞娟,吴智慧,陈于书.传统漆艺在现代家具中的传承与应用[J].家具与室内装饰,2011(07):16-17.
[10]张燕.漆艺家具装饰模块化设计研究[D].南京林业大学,2011.
[11]陈彦.山西传统民间家具造型与装饰研究[D].北京林业大学,2006.
[12]范素琴.天然漆漆木家具的当代性研究[D].太原理工大学,2015.
[13]崔蒙蒙,吴智慧.家具烫蜡技艺的研究与发展现状分析[J].林产工业,2017,44(02):3-6.