空间视野下的大观园与人物性格关系
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摘要
《红楼梦》中的大观园是为迎接元春省亲而建,从空间视角出发,考察大观园中主要人物的居住环境及人物性格特征,可将大观园分为三个世界:由宝玉、黛玉、妙玉所组成的"衷情"世界,由元春、宝钗、李纨所构成的"守理"世界,由探春、惜春、迎春所构成的以分别信奉儒、释、道思想来寻求心灵解脱的现实世界。在行文中作者没有将三个世界截然对立,也没有将三个世界绝对化,这使得作品既具有丰富的多元立体性又层次清晰,大观园是作者为众女儿建造的一个"葬花塚"。
The Grand View Garden in A Dream of Red Mansions was built for Yuanchun's paying visit to her parents and elders.From the spatial perspective,one can examine the living environment of the main figures in the Garden and their characters.And this Garden consists of three worlds:the world of Baoyu,Daiyu and Miaoyu who devote all their own to their love,the world of Yuanchun,Baochai and Li Wan who insist on their rationality,and the world of Tanchun,Xichun and Yinchuan who believe in Confucianism,Buddhism and Taoism respectively to pursue their soul liberation.In the novel,the writer has not opposed the three worlds completely,and absolutized them either.This donates the novel with diversified tridimensional character and clear layers.This Garden is in fact a tomb built by the writer for girls to bury the flowers.
The Grand View Garden in A Dream of Red Mansions was built for Yuanchun's paying visit to her parents and elders.From the spatial perspective,one can examine the living environment of the main figures in the Garden and their characters.And this Garden consists of three worlds:the world of Baoyu,Daiyu and Miaoyu who devote all their own to their love,the world of Yuanchun,Baochai and Li Wan who insist on their rationality,and the world of Tanchun,Xichun and Yinchuan who believe in Confucianism,Buddhism and Taoism respectively to pursue their soul liberation.In the novel,the writer has not opposed the three worlds completely,and absolutized them either.This donates the novel with diversified tridimensional character and clear layers.This Garden is in fact a tomb built by the writer for girls to bury the flowers.
引文
[1]曹雪芹.脂砚斋重评石头记[M].庚辰本.北京:文学古籍刊行社,1955.
[2]余英时.红楼梦的两个世界[M].上海:上海社会科学院出版社,2002.
[3]荀子.荀子[M].北京:中华书局,1982.
[4]班固.汉书[M].北京:中华书局,1962.
[5]李正学.中国女性的大悲剧:《红楼梦》新读[J].内江师范学院学报,2013(7):1-4.
[6]安怀远.中国园林艺术[M].上海:上海科技出版社,1986.
[7]赵臻.余赵论争读解:百年红学研究中一个范例剖析[J].内江师范学院学报,2010(1):8-12.
[8]陈从周.园林谈丛[M].上海:上海文艺出版社,1980.
[9]张世君.《红楼梦》的庭园结构与文化意识[J].红楼梦学刊,1994(1):97-114.
[10]曹雪芹.脂砚斋重评石头记[M].己卯本.上海:上海古籍出版社,1981.
[11]王毅.园林与中国文化[M].上海:上海人民出版社,1990.
[2]余英时.红楼梦的两个世界[M].上海:上海社会科学院出版社,2002.
[3]荀子.荀子[M].北京:中华书局,1982.
[4]班固.汉书[M].北京:中华书局,1962.
[5]李正学.中国女性的大悲剧:《红楼梦》新读[J].内江师范学院学报,2013(7):1-4.
[6]安怀远.中国园林艺术[M].上海:上海科技出版社,1986.
[7]赵臻.余赵论争读解:百年红学研究中一个范例剖析[J].内江师范学院学报,2010(1):8-12.
[8]陈从周.园林谈丛[M].上海:上海文艺出版社,1980.
[9]张世君.《红楼梦》的庭园结构与文化意识[J].红楼梦学刊,1994(1):97-114.
[10]曹雪芹.脂砚斋重评石头记[M].己卯本.上海:上海古籍出版社,1981.
[11]王毅.园林与中国文化[M].上海:上海人民出版社,1990.