摘要
刘震云的近作《吃瓜时代的儿女们》以朴实幽默的方式让我们感受到现实世界的荒诞不经。故事的局外人以狂欢化语言乐不可支地咀嚼着局内人的荒唐可笑,迫不及待将话语权使用得淋漓尽致,于是,荒唐成为了社会的正常现象,现代人习以为常地为之推波助澜,共同构筑了将荒唐视为正常的社会局势,结果,局外人也成为局中人。个人沉沦的无奈在这种局面下不可逆转地发生了。这应该是《吃瓜时代的儿女们》为我们揭示的现代社会悲剧。
Liu Zhenyun's recent work Children in the Age of Onlookers enables us to feel the absurdity of the real world in a simple and humorous way. Outsiders of the story feel the ridiculousness of insiders in a kind of orgiastic way. So absurdity becomes the normal social phenomenon,and modern people take it for granted,even promote its development. As a result,the outsider also becomes the insider. The helplessness of individual perdition happens irreversibly under this kind of situation. This is the modern social tragedy revealed by this book..
引文
[1]鲁迅.鲁迅小说全集[M].长春:时代文艺出版社,2003:167-168.
[2]韩少功.性而上的迷失[M].济南:山东文艺出版社,2001:41.
[3]刘宏志.媒介信息与小说故事——谈《吃瓜时代的儿女们》对媒介信息的改造[J].中州大学学报,2018,35(04).
[4]刘丽文,等.历史剧的女性主义批评[M].北京:中国传媒大学出版社,2005:226.
[5]骆晓戈.女性学[M].长沙:湖南大学出版社,2004:113.
[6]刘震云.吃瓜时代的儿女们[M].武汉:长江文艺出版社,2017.