少数民族钢琴音乐的创作模式及其影响研究
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摘要
少数民族音乐是中国音乐文化的瑰宝,不仅反映了中国民族音乐的思想深度和创作水平,也是对本民族特有文化的艺术展示。钢琴音乐进入中国后,逐渐与少数民族音乐发生碰撞和融合,形成了独具一格的民族钢琴音乐创作模式。文章从分析少数民族钢琴音乐的重要意义着手,探究中国少数民族钢琴音乐的自主创作模式,以期找到少数民族钢琴音乐对中国音乐发展的影响和未来走向。
Ethnic minority music is a splendid treasure of Chinese music culture, which not only reflects the depth of Chinese national music and creative level, but also shows the unique culture of the nation. After the piano entered China, it gradually collided and merged with the minority music, forming a unique national piano music creation mode. Starting from the analysis of the significance of ethnic piano music, this paper explores the independent creative mode of Chinese ethnic piano music, in order to find out the impact of ethnic piano music on the development of Chinese music and the future trend.
Ethnic minority music is a splendid treasure of Chinese music culture, which not only reflects the depth of Chinese national music and creative level, but also shows the unique culture of the nation. After the piano entered China, it gradually collided and merged with the minority music, forming a unique national piano music creation mode. Starting from the analysis of the significance of ethnic piano music, this paper explores the independent creative mode of Chinese ethnic piano music, in order to find out the impact of ethnic piano music on the development of Chinese music and the future trend.
引文
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[2]王茜.高校少数民族音乐传承与音乐教育分析——以钢琴音乐文化视野为例[J].中国高校科技,2017,(1).
[3]何上峰.立足钢琴艺术之美兼顾民族文化创新——中国风格钢琴作品创作发展与反思[J].当代音乐,2016,(1).
[4]赵素婕.中国民族钢琴音乐的艺术特色——硕士学位音乐会毕业设计[D].中国音乐学院,2017.
[5]任红军.云南民歌创编钢琴曲研究策略[J].民族音乐,2013,(5).
[6]柳笛.谈中国钢琴作品的艺术形式及民族风格[J].艺术教育,2016,(6).
[7]张怡.少数民族音乐的钢琴化实践探索——基于少数民族音乐发展视角[J].贵州民族研究,2015,(2).