“剧场”不可取代“戏剧”刍议
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摘要
近年来,随着引进欧美当代戏剧演出的增加,各种媒体上的评论一派热闹。然而,面对打破了传统的"后现代戏剧",不少国人概念不清,轻率地往这些演出贴上"剧场艺术"的标签,而且愈演愈烈,几欲让人以为"剧场"已经取代"戏剧"成为一门新的艺术。从词源看,drama、theatre和"戏剧"表征了不同的对象。从戏剧艺术的本质角度说,空间元素不足以支撑"剧场"成为一门艺术。因此,我们必须以谨慎态度来对待"剧场"这一新名词。
In recent years,more and more foreign plays have been imported in China,and all kinds of comments flourished in media.However,in dealing with these post-modern performances which have gotten rid of old concept of drama,they use Juchang(剧场)with relation to theatrical building in Chinese so largely that make people think that a new genre of art would have been born.The three words(i.e.,drama,Juchang(剧场)and Xiju(戏剧)),lead to different situations,according to their original meanings.And the only element of space is not enough to support a new art of Juchang(剧场)in Chinese meaning.So,people should be careful when they use this word.
In recent years,more and more foreign plays have been imported in China,and all kinds of comments flourished in media.However,in dealing with these post-modern performances which have gotten rid of old concept of drama,they use Juchang(剧场)with relation to theatrical building in Chinese so largely that make people think that a new genre of art would have been born.The three words(i.e.,drama,Juchang(剧场)and Xiju(戏剧)),lead to different situations,according to their original meanings.And the only element of space is not enough to support a new art of Juchang(剧场)in Chinese meaning.So,people should be careful when they use this word.
引文
(1)宫宝荣.正本清源话theatre.戏剧艺术,2017,(1).
(1)焦尚志.三十年代中国剧场艺术理论概观及其特征载.戏剧,1996,(2).
(1)钟明德.亚陶与残酷剧场:现代剧场的一道分水岭.http://par.ntch.org.tw/article/show/1346406718662755.访问日期:2017-08-02.
(2)汉斯-蒂耶·雷曼.后戏剧剧场.李亦男译.北京:北京大学出版社,2010.
(1)阿尔托.残酷戏剧-戏剧及其重影.桂裕芳译.北京:中国戏剧出版社,1993:93.
(1)德国洪堡大学是个例外,早在20世纪初期的1923年就设立了独立的戏剧学科。
(2)余上沅.戏剧的基本特性//余上沅戏剧论文集.武汉:长江文艺出版社,1986:269.
(3)余上沅.戏剧的基本特性//余上沅戏剧论文集.武汉:长江文艺出版社,1986:269.
(1)阿尔托.“残酷戏剧”理论选译.李浤,吴保和译.戏剧艺术,1982,(4).
(2)阿尔托.残酷戏剧:戏剧及其重影.桂裕芳译.北京:中国戏剧出版社版,1993.(另有2015年商务印书馆版)
(3)参见https://baike.baidu.com/item/安托南·阿尔托.访问日期:2017-08-02.
(1)彼得·布鲁克.空的空间.邢历等译.北京:中国戏剧出版社,1988:3.
(1)焦尚志.三十年代中国剧场艺术理论概观及其特征载.戏剧,1996,(2).
(1)钟明德.亚陶与残酷剧场:现代剧场的一道分水岭.http://par.ntch.org.tw/article/show/1346406718662755.访问日期:2017-08-02.
(2)汉斯-蒂耶·雷曼.后戏剧剧场.李亦男译.北京:北京大学出版社,2010.
(1)阿尔托.残酷戏剧-戏剧及其重影.桂裕芳译.北京:中国戏剧出版社,1993:93.
(1)德国洪堡大学是个例外,早在20世纪初期的1923年就设立了独立的戏剧学科。
(2)余上沅.戏剧的基本特性//余上沅戏剧论文集.武汉:长江文艺出版社,1986:269.
(3)余上沅.戏剧的基本特性//余上沅戏剧论文集.武汉:长江文艺出版社,1986:269.
(1)阿尔托.“残酷戏剧”理论选译.李浤,吴保和译.戏剧艺术,1982,(4).
(2)阿尔托.残酷戏剧:戏剧及其重影.桂裕芳译.北京:中国戏剧出版社版,1993.(另有2015年商务印书馆版)
(3)参见https://baike.baidu.com/item/安托南·阿尔托.访问日期:2017-08-02.
(1)彼得·布鲁克.空的空间.邢历等译.北京:中国戏剧出版社,1988:3.