台湾清代戏剧文献所见“四喜班”考述
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摘要
碑刻所载戏曲史料往往都比较零散,也多无密切关联性,但为中国剧场史、演出史上重要话题的研究提供过关键性材料,所以其文献价值不容忽视。在对遗存于台湾北部、中部、南部市县的836通清代碑刻进行爬梳之后,获得32通涉及演剧活动信息的珍贵碑刻。因此,结合时代背景和相关文献深入辨析这些史料,对区域戏曲史以及"四喜班"的研究均有着重要意义。
The historical materials of Chinese traditional operas recorded on tablet inscriptions were scattered and not closely related to each other, but they provided key materials for the study of important topics in the history of Chinese theatre and performances. Therefore, their documentary value cannot be ignored. After combing the 836 tombstone inscriptions of the Qing Dynasty which were remained in northern, central and southern cities and counties in Taiwan,the author obtained 32 valuable historical materials concerning the information of theatrical activities. Therefore, in-depth differentiation and analysis of these historical materials through the combination of the historical background and related documents are of great significance to the study of history of regional opera and the "Si Xi Troupe".
The historical materials of Chinese traditional operas recorded on tablet inscriptions were scattered and not closely related to each other, but they provided key materials for the study of important topics in the history of Chinese theatre and performances. Therefore, their documentary value cannot be ignored. After combing the 836 tombstone inscriptions of the Qing Dynasty which were remained in northern, central and southern cities and counties in Taiwan,the author obtained 32 valuable historical materials concerning the information of theatrical activities. Therefore, in-depth differentiation and analysis of these historical materials through the combination of the historical background and related documents are of great significance to the study of history of regional opera and the "Si Xi Troupe".
引文
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(1)碑高160厘米,宽191厘米。现存台南市中区永福路武庙内。碑文详细记述了参与武庙禳灾祈安、建醮的组织者有:主事、主醮、主壇、主普、祈安首、天灯首、三官首、天师首、圣帝首、平安首、副事首、协事首、赞事首、信士首、副事、协事、都事、赞事、董事、炉主等20多种,以及捐资商号:协和号、大有号、振东号、振成号、尚亦号、大德号等358家。总共捐资2699元。
[2]邱坤良.日治时期台湾戏剧之研究[M].台北:台湾自立晚报社出版部,1992.
[3]俞为民、孙蓉蓉.历代曲话汇编清代编(第五集)[M].合肥:黄山书社,2008.
[4]张次溪.清代燕都梨园史料[M].北京:中国戏剧出版社,1988.
[5]朱万曙.徽州戏曲[M].合肥:安徽人民出版社,2005.
[6]傅谨.京剧历史文献汇编(捌)[M].南京:凤凰出版社,2011.
[7]胡忌、刘致中.昆剧发展史[M].北京:中国戏剧出版社,1989.
[8]于质彬.南北皮黄戏史述[M].合肥:黄山书社,1994.
[9]王芷章.中国京剧编年史[M].北京:中国戏剧出版社,2003.
[10]邱剑颖.京剧渗透影响闽剧之时间新断——以徽班介质为考察[J].福建艺术,2013(3).
[11]福建省文史资料研究委员会编.福建文史资料(第二十辑)[M].福州:福建人民出版社,1988.
[12]邓翔云.中国戏曲分类和民俗[M].呼和浩特:远方出版社,2002.
[13]张发颖.中国戏班史[M].北京:学苑出版社,2003.
[14]李泰山.中国徽班[M].合肥:安徽文艺出版社,2005.
[15]中国戏曲志编撰委员会.中国戏曲志.山东卷[M].北京:中国ISBN中心,1994.
[16]黄典权.台湾南部碑文集成(上册)[M].台北:台湾大通书局,1987.
[17]陈盛韶、刘卓英.问俗录[M].北京:书目文献出版社,1983.
[18]郑振满、丁荷生.福建宗教碑铭汇编(上册)[M].福州:福建人民出版社,2003.
[19]傅谨.京剧历史文献汇编(陆)[M].南京:凤凰出版社,2011.
[20]汪晓云.闽台民间戏曲与族群认同[M].北京:中国社会科学出版社,2015.
(1)碑高160厘米,宽191厘米。现存台南市中区永福路武庙内。碑文详细记述了参与武庙禳灾祈安、建醮的组织者有:主事、主醮、主壇、主普、祈安首、天灯首、三官首、天师首、圣帝首、平安首、副事首、协事首、赞事首、信士首、副事、协事、都事、赞事、董事、炉主等20多种,以及捐资商号:协和号、大有号、振东号、振成号、尚亦号、大德号等358家。总共捐资2699元。