高(元钧)派山东快书的艺术审美系统研究
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摘要
本文以大量的艺术实践案例及材料作为研究基础,从系统论的角度论述了高(元钧)派山东快书自发性建构的视听结合的艺术审美体系,从"发音与吐字""声音与形态""声音与情态""声音与韵律"等四大关系入手,全面而深入地探讨高派山东快书的发声吐字美、可视形态美、情态圆融美和韵律美,并开拓性地总结了"五力图""情颤点"等一系列符合汉语言特点的曲艺艺术的特殊规律,通过对高派山东快书的艺术审美系统的阐述和分析,有助于我们挖掘整理传统文化遗产,深入研究中华曲艺美学并逐渐建立科学的体系。
On the basis of a large number of artistic practice cases and materials as the research foundation, and from the perspective of the system theory, this paper discusses the art aesthetic system of the audio-visual combination constructed spontaneously by Gao(Yuanjun) school of Shandong story-telling opera. Starting from the four major relations of "pronunciation and articulation", "voice and form", "voice and modality", and "sound and rhythm", the paper also conducts a comprehensive and deep discussion on the articulate beauty, visual form beauty, mellow beauty and rhythmic beauty of Gao school of Shandong story-telling opera. At the same time, a series of special laws of Chinese Quyi art such as "five force diagram" and "emotion trembling point" is summarized in a pioneering way in the paper. Therefore, the elaboration and analysis of the art aesthetic system of Gao school of Shandong story-telling opera will enable us to dig up and sort out the traditional cultural heritage, deeply study the aesthetics of Chinese Quyi and gradually establish a scientific system.
On the basis of a large number of artistic practice cases and materials as the research foundation, and from the perspective of the system theory, this paper discusses the art aesthetic system of the audio-visual combination constructed spontaneously by Gao(Yuanjun) school of Shandong story-telling opera. Starting from the four major relations of "pronunciation and articulation", "voice and form", "voice and modality", and "sound and rhythm", the paper also conducts a comprehensive and deep discussion on the articulate beauty, visual form beauty, mellow beauty and rhythmic beauty of Gao school of Shandong story-telling opera. At the same time, a series of special laws of Chinese Quyi art such as "five force diagram" and "emotion trembling point" is summarized in a pioneering way in the paper. Therefore, the elaboration and analysis of the art aesthetic system of Gao school of Shandong story-telling opera will enable us to dig up and sort out the traditional cultural heritage, deeply study the aesthetics of Chinese Quyi and gradually establish a scientific system.
引文
[1]霍绍周.系统论[M].北京:科学技术文献出版社,1988:41.
[2]王力.汉语音韵音韵学初步[M].北京:中华书局,2014:7.
[3]高元钧,刘学智,刘洪滨.表演山东快书的经验[M].上海:上海文艺出版社,1959:74.
[4]孙镇业.雅韵春秋:下[M].济南:山东友谊出版社,2015:96-99.
[5]刘洪滨.山东快书表演概论[M].北京:解放军文艺出版社出版,2001:232-235.
[6]钱冠连.语言全息论[M].北京:商务印书馆,2003.
[7]《古汉语常用字字典》编写组.古汉语常用字字典[K].北京:商务印书馆,1985.
(1) 应是 416 音节,因书中工、空两个音节在重啃和轻啃中重复出现,故造成数据错误。
(1)《等韵图》形成于唐代的音节表,已经失去了实用功能,不过用于研究古音尚有价值。
(2) 这里讲的“三合一”是指技法的三合一：动作、唱词、鸳鸯板。
(1) 参见王维嘉《暗知识：机器认知如何颠覆商业和社会》,中信出版集团,2019 年版,导读。
[2]王力.汉语音韵音韵学初步[M].北京:中华书局,2014:7.
[3]高元钧,刘学智,刘洪滨.表演山东快书的经验[M].上海:上海文艺出版社,1959:74.
[4]孙镇业.雅韵春秋:下[M].济南:山东友谊出版社,2015:96-99.
[5]刘洪滨.山东快书表演概论[M].北京:解放军文艺出版社出版,2001:232-235.
[6]钱冠连.语言全息论[M].北京:商务印书馆,2003.
[7]《古汉语常用字字典》编写组.古汉语常用字字典[K].北京:商务印书馆,1985.
(1) 应是 416 音节,因书中工、空两个音节在重啃和轻啃中重复出现,故造成数据错误。
(1)《等韵图》形成于唐代的音节表,已经失去了实用功能,不过用于研究古音尚有价值。
(2) 这里讲的“三合一”是指技法的三合一：动作、唱词、鸳鸯板。
(1) 参见王维嘉《暗知识：机器认知如何颠覆商业和社会》,中信出版集团,2019 年版,导读。