《在延安文艺座谈会上的讲话》与曹禺创作的转型
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摘要
曹禺是中国戏剧史上公认的戏剧名家。自20世纪30年代登上文坛,曹禺创作出了《雷雨》《日出》《北京人》等杰出的剧作,达到了创作的顶峰。中华人民共和国成立以后,在毛泽东《在延安文艺座谈会上的讲话》精神的指引下,曹禺积极进行思想和创作上的"转型",创作出《明朗的天》《胆剑篇》《王昭君》等作品。这些剧作虽然难以再创辉煌,但是却显示出曹禺对《在延安文艺座谈会上的讲话》精神的积极阐释与实践,也反映出作家创作转型背后的复杂原因。
CaoY u is a well-known dramatist in the history of Chinese drama. He has created some outstanding masterpieces like Thunderstorm,Sunrise,Beijinger and so on since he entered the literary world in the 1930s,reaching the peak of his creation. After the foundation of the People's Republic,CaoY u made a transformation positively both in thinking and creation under the guidance of Mao Zedong's Speech in the Yan'an Literature and art Symposium,and created A Clear Day,the Gall and Sword,Wang Zhaojun and other works. Although it is difficult for these plays to become new splendors,they reflect Cao's positive explanation and practice to the spirit of Speech in Yan'an Literature and Art Symposium,and also embody the complex reasons behind the transformation of writer's writing.
CaoY u is a well-known dramatist in the history of Chinese drama. He has created some outstanding masterpieces like Thunderstorm,Sunrise,Beijinger and so on since he entered the literary world in the 1930s,reaching the peak of his creation. After the foundation of the People's Republic,CaoY u made a transformation positively both in thinking and creation under the guidance of Mao Zedong's Speech in the Yan'an Literature and art Symposium,and created A Clear Day,the Gall and Sword,Wang Zhaojun and other works. Although it is difficult for these plays to become new splendors,they reflect Cao's positive explanation and practice to the spirit of Speech in Yan'an Literature and Art Symposium,and also embody the complex reasons behind the transformation of writer's writing.
引文
[1]计晓华.延安时期毛泽东文艺思想对鲁艺发展的影响[J].沈阳师范大学学报:社会科学版,2015(5):161-165.
[2]曹禺.我对于大会的一点意见[N].人民日报,1949-07-02(4).
[3]曹禺.我对今后创作的初步认识[N].文艺报,1950-10-25(20).
[4]曹禺.永远向前——一个在改造中的文艺工作者的话[N].人民日报,1952-05-24(3).
[5]田本相.焦虑·苦闷·残废——对曹禺晚年悲剧性的探寻[J].绍兴文理学院学报,2008(2):1-7.
[6]田本相.曹禺传[M].北京:北京十月文艺出版社,1988:473.
[7]王卫平.曹禺写不出“第六部名剧”原因再探[J].中国现代文学研究丛刊,2017(9):82-91.
[2]曹禺.我对于大会的一点意见[N].人民日报,1949-07-02(4).
[3]曹禺.我对今后创作的初步认识[N].文艺报,1950-10-25(20).
[4]曹禺.永远向前——一个在改造中的文艺工作者的话[N].人民日报,1952-05-24(3).
[5]田本相.焦虑·苦闷·残废——对曹禺晚年悲剧性的探寻[J].绍兴文理学院学报,2008(2):1-7.
[6]田本相.曹禺传[M].北京:北京十月文艺出版社,1988:473.
[7]王卫平.曹禺写不出“第六部名剧”原因再探[J].中国现代文学研究丛刊,2017(9):82-91.