论屏风在中国古代室内中的作用
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摘要
家具中的屏风是实用性与艺术性完美结合形成的产物,是人类几千年历史文化产生的智慧结晶,汇聚了成千上万精工巧匠的智慧与汗水,也承载着中华民族的闻名历史,在居住空间的传统设计中,屏风是必不可少的重要居室家具之一,具有装饰、隔断、借景、礼制等各式各样的重要作用,同时屏风的形式也体现了使用阶层的身份和地位,对不同社会层次的审美要求都有所体现。通过本文的简要叙述说明,大体展示了屏风在古代室内生活的多种主要作用。
The screen in furniture is the product of the perfect combination of practicality and artistry. It is the wisdom of human history and culture produced for thousands of years. It brings together the wisdom and sweat of thousands of skilled craftsmen and also bears the famous history of the Chinese nation. In the traditional design of the living space, the screen is one of the essential important room furniture, with various important functions such as decoration, partition, view borrowing, and ritual. At the same time, the form of the screen also reflects the identity of the using class and status, the aesthetic requirements of different social levels are reflected. Through the brief description of this article, the main functions of the screen in the ancient indoor life are generally shown.
The screen in furniture is the product of the perfect combination of practicality and artistry. It is the wisdom of human history and culture produced for thousands of years. It brings together the wisdom and sweat of thousands of skilled craftsmen and also bears the famous history of the Chinese nation. In the traditional design of the living space, the screen is one of the essential important room furniture, with various important functions such as decoration, partition, view borrowing, and ritual. At the same time, the form of the screen also reflects the identity of the using class and status, the aesthetic requirements of different social levels are reflected. Through the brief description of this article, the main functions of the screen in the ancient indoor life are generally shown.
引文
[1]陶蓓蓓,于娜.中国传统家具木材审美研究[J].家具与室内装饰,2016,(02):26-27.
[2]宋宇豪,杨绍清.论中国传统文化在室内设计中的应用方法研究[J].家具与室内装饰,2016,(07):24-25.
[3]高伟霞,吴智慧.工匠精神在仿古家具雕饰图案中的应用探析[J].家具与室内装饰,2016,(08):12-14.
[4]孙迟,马杨.室内设计中人与自然的设计之道[J].家具与室内装饰,2016,(09):106-107.
[5]周倩.民族屏风在室内设计中的运用[J].装饰与装潢,2016,(12):11-12.
[6]华勇.浅析屏风与空间[J].学术论坛,2014,(03):5-6.
[7]周帆扬.屏风的诗意:实用性与艺术美的巧妙结合[J].,2010,(11):6-7.
[8]刘威,隋哲.探究屏风在室内设计中的应用[J],设计,2015,(11):10-11.
[9]无秋.无韵雅曲话屏风[J],家具与室内装饰,2013,(06):18-19.
[10]褚金,论古代的屏风艺术[J],兰台世界,2014,(04):20-21.
[11]徐涛涛,屏风的历史渊源及其文化脉络[J],现代装饰理论,2015,(02):23-24.
[12]邓过皇,柴文刚,穆亚平,屏风的历史渊源及其文化脉络[J],家具与室内设计,2005(09):25-26.
[2]宋宇豪,杨绍清.论中国传统文化在室内设计中的应用方法研究[J].家具与室内装饰,2016,(07):24-25.
[3]高伟霞,吴智慧.工匠精神在仿古家具雕饰图案中的应用探析[J].家具与室内装饰,2016,(08):12-14.
[4]孙迟,马杨.室内设计中人与自然的设计之道[J].家具与室内装饰,2016,(09):106-107.
[5]周倩.民族屏风在室内设计中的运用[J].装饰与装潢,2016,(12):11-12.
[6]华勇.浅析屏风与空间[J].学术论坛,2014,(03):5-6.
[7]周帆扬.屏风的诗意:实用性与艺术美的巧妙结合[J].,2010,(11):6-7.
[8]刘威,隋哲.探究屏风在室内设计中的应用[J],设计,2015,(11):10-11.
[9]无秋.无韵雅曲话屏风[J],家具与室内装饰,2013,(06):18-19.
[10]褚金,论古代的屏风艺术[J],兰台世界,2014,(04):20-21.
[11]徐涛涛,屏风的历史渊源及其文化脉络[J],现代装饰理论,2015,(02):23-24.
[12]邓过皇,柴文刚,穆亚平,屏风的历史渊源及其文化脉络[J],家具与室内设计,2005(09):25-26.