明清时期徽州雕饰技艺符号的现象阐述
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摘要
从知觉现象学角度入手,对明清两代艺术设计及当时徽州雕饰技艺符号的生态现象进行剖析。以木雕为例分析时代背景、生态场所、造型与结构技术特点、雕刻技法等生态现象的能动要素,并揭示徽州雕饰技艺符号对明清时期人类生活世界中的体验、意义创造和交流的高度尊重的本质。这不仅是对徽州地区明清时期世界生活的呈现、阐释,而且扩大了现象学和符号学的反思视野,进而探讨人类居住环境中场景的"非固定特征"。
Starting from the perspective of perceptual phenomenology, this paper analyzes the artistic design of the Ming and Qing Dynasties and the ecological phenomenon of the Huizhou carving technique symbols at that time. This paper takes wood carving as an example to analyze the dynamic elements of the ecological phenomena such as the historical background, the ecological sites, the technical characteris?tics of mold and structure, and the carving techniques. It also reveals the essence of the high respect of the Huizhou carving technique symbols to the people's daily life of their experience, meaningful creation and communication in the Ming and Qing Dynasties. This, not only, presents the daily life in Huizhou in the Ming and Qing Dynasties, but also expands the view on the reflection of phenomenology and semiot?ics. Further, it discusses the "non-fixed features" of the scene in human habitation environment.
Starting from the perspective of perceptual phenomenology, this paper analyzes the artistic design of the Ming and Qing Dynasties and the ecological phenomenon of the Huizhou carving technique symbols at that time. This paper takes wood carving as an example to analyze the dynamic elements of the ecological phenomena such as the historical background, the ecological sites, the technical characteris?tics of mold and structure, and the carving techniques. It also reveals the essence of the high respect of the Huizhou carving technique symbols to the people's daily life of their experience, meaningful creation and communication in the Ming and Qing Dynasties. This, not only, presents the daily life in Huizhou in the Ming and Qing Dynasties, but also expands the view on the reflection of phenomenology and semiot?ics. Further, it discusses the "non-fixed features" of the scene in human habitation environment.
引文
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[3]杜海滨,胡海权,赵妍编.中国古代造物设计史[M].沈阳:辽宁科学技术出版社,2014:188-200.
[4]张黎.日常生活的设计与消费[J].南京艺术学院学报(美术与设计),2010(2):156.
[2]邹其昌.设计学研究[M].北京:人民出版社,2015:199.
[3]杜海滨,胡海权,赵妍编.中国古代造物设计史[M].沈阳:辽宁科学技术出版社,2014:188-200.
[4]张黎.日常生活的设计与消费[J].南京艺术学院学报(美术与设计),2010(2):156.