新时代少数民族民歌的地域文化资源利用与推广研究
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摘要
少数民族民歌是民族文化的重要组成部分,是少数民族珍贵的非物质文化遗产。少数民族民歌的产生源于各民族独特的地域文化,新时代少数民族民歌的地域文化资源利用与推广也面临着新的形势,对地域文化资源的利用与推广状况决定着少数民族民歌的发展空间与发展走向。文章从明确地域文化对少数民族民歌的影响着手,进一步分析少数民族民歌的地域文化资源的利用现状,提出了新时代推广少数民族民歌地域文化资源的具体路径,以期能够为传承与保护少数民族民歌提供一些有价值、可操作的建议,为弘扬中华民族传统文化贡献力量。
The folk songs of ethnic minorities are an important part of ethnic culture, and they are precious in-tangible cultural heritage of ethnic minorities. The birth of minority folk songs originated from the unique regional culture of various nationalities. The use and promotion of regional cultural resources of ethnic minority folk songs in the new era also face new situations. The utilization and promotion of regional cultural resources determined the development space and direction of ethnic minority folk songs.This article starts with a clear understanding of the influence of regional culture on minority folk songs, further analyzes the current situationof the use of regional cultural resources of ethnic minority folk songs, and finally puts forward a specific path for the promotion of regional cultural resources for ethnic minority folk songs in a new era.In order to provide some valuable and practical suggestions to inheriting and protecting minority folk songs. Making a contribution to the promotion of the traditional culture of the Chinese nation.
The folk songs of ethnic minorities are an important part of ethnic culture, and they are precious in-tangible cultural heritage of ethnic minorities. The birth of minority folk songs originated from the unique regional culture of various nationalities. The use and promotion of regional cultural resources of ethnic minority folk songs in the new era also face new situations. The utilization and promotion of regional cultural resources determined the development space and direction of ethnic minority folk songs.This article starts with a clear understanding of the influence of regional culture on minority folk songs, further analyzes the current situationof the use of regional cultural resources of ethnic minority folk songs, and finally puts forward a specific path for the promotion of regional cultural resources for ethnic minority folk songs in a new era.In order to provide some valuable and practical suggestions to inheriting and protecting minority folk songs. Making a contribution to the promotion of the traditional culture of the Chinese nation.
引文
[1]李丽娅.贵州少数民族音乐与原生态唱法浅议[J].贵州民族研究,2012,(5).
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[9]薛伟.“互联网+”哈萨克民歌的数字化保护研究初探[J].艺术科技,2016,(6).
[2]孙思涛.从“青歌赛”中品读“原生态唱法”[J].东北师范大学,2013.
[3]和琦.现代传播背景下纳西族传统民间音乐传播现状及其保护的思考[J].云南民族大学学报,2013,(3).
[4]徐恩煊.浅谈广西民歌的传承和发展[J].大众文艺,2013,(1).
[5]郑国栋.广西北部湾地区原生态民歌的保护现状研究——南宁篇[J].歌海,2013,(5).
[6]张春苗,张素枝.原生态民歌的文化价值及其保护与传承途径研究[J].宿州学院学报,2010,(7).
[7]李丽娅.贵州少数民族音乐与原生态唱法浅议[J].贵州民族研究,2012,(5).
[8]史小亚.少数民族原生态音乐的原始困境与现代传承——基于民族文化保护与传承视角[J].贵州民族研究,2015,(6).
[9]薛伟.“互联网+”哈萨克民歌的数字化保护研究初探[J].艺术科技,2016,(6).